They lack the sensory components one receives when in a haunted house, like smell and sound. Another thing the images lack, is the ability to make the viewer feel the tension of something waiting to jump out, or something lurking in the shadows or in the corners. The immersive experience of a haunted house cannot be portrayed through photographs. However, one of the biggest things I learned is how the photographs in Keasler's collection provide viewers with a different kind of tension. This lingering tension allows more time to look, notice, and find details one would not see when being led through a specific, darkened pathway in a haunted house. The viewer is not distracted by fear or movement, but instead is left stationary to explore the details in a photograph. This made me more scared than being in the haunted house itself. Having my imagination run wild, made me feel more uneasy, and frightened by what was in the
They lack the sensory components one receives when in a haunted house, like smell and sound. Another thing the images lack, is the ability to make the viewer feel the tension of something waiting to jump out, or something lurking in the shadows or in the corners. The immersive experience of a haunted house cannot be portrayed through photographs. However, one of the biggest things I learned is how the photographs in Keasler's collection provide viewers with a different kind of tension. This lingering tension allows more time to look, notice, and find details one would not see when being led through a specific, darkened pathway in a haunted house. The viewer is not distracted by fear or movement, but instead is left stationary to explore the details in a photograph. This made me more scared than being in the haunted house itself. Having my imagination run wild, made me feel more uneasy, and frightened by what was in the