Hamlet’s third and most famous speech is “governed by reason and not frenzied emotion. [He] sparks an internal philosophical debate on the advantages and disadvantages of existence, and whether it is one's right to end his or her own life.” (Mabillard, “Hamlet's Soliloquy Analysis”). While Hamlet muses about the afterlife, he becomes aware of the moral detriments and aftermath of what lies beyond his grave. As Bari Walsh states: “Hamlet’s problem mirrors a problem facing the Arab world: to exist or dissolve, to awaken politically or to slumber while history passes by” (Walsh, “Hamlet of Arabia”). At line 83, Hamlet says, “Thus conscience does make cowards of us all” (III, i, 83). The principal significance of “conscience” promotes Hamlet’s reflection on his morality. According to the First Folio of Hamlet, “conscience” is capitalized in the First Folio, hence creating a richer image of Hamlet’s conscience preventing him from madness and suicide. Hamlet’s dread of the underworld and an eternal “sleep” accelerates after at line 66, “for in that sleep of death what dreams may come”
Hamlet’s third and most famous speech is “governed by reason and not frenzied emotion. [He] sparks an internal philosophical debate on the advantages and disadvantages of existence, and whether it is one's right to end his or her own life.” (Mabillard, “Hamlet's Soliloquy Analysis”). While Hamlet muses about the afterlife, he becomes aware of the moral detriments and aftermath of what lies beyond his grave. As Bari Walsh states: “Hamlet’s problem mirrors a problem facing the Arab world: to exist or dissolve, to awaken politically or to slumber while history passes by” (Walsh, “Hamlet of Arabia”). At line 83, Hamlet says, “Thus conscience does make cowards of us all” (III, i, 83). The principal significance of “conscience” promotes Hamlet’s reflection on his morality. According to the First Folio of Hamlet, “conscience” is capitalized in the First Folio, hence creating a richer image of Hamlet’s conscience preventing him from madness and suicide. Hamlet’s dread of the underworld and an eternal “sleep” accelerates after at line 66, “for in that sleep of death what dreams may come”