This is a significant world of real somatic presence, fleshed out by an uncommon number of extras; we are giving the feeling that this command rules over real individuals, instead of only being present in Shakespeare’s mind. Right at the outset, Zeffirelli and Christopher De Vore, take a right with "Hamlet" by moving some of the dialogue and adding some words to generate a scene that does not happen in the original. During the scene where Hamlet, Gertrude and Claudius are provoking one another over the coffin of Hamlet’s father at the wake. In film terms, this scene makes the central problem of "Hamlet" perfectly clear, and vividly reinforces everything that follows. It sets up not only Hamlet’s anguish, but the real lure between his mother and his uncle. The cast has at least three actors who have played Hamlet before: Alan Bates, as Claudius; Paul Scofield, as the ghost of Hamlet’s father, and Ian Holm, as Polonius. Holm is particularly active in the "to thine own self be true" speech, and I enjoyed Bates' strength of bluster and lust, as a man of feat who will have what he needs and not bother himself with the types of questions that torture
This is a significant world of real somatic presence, fleshed out by an uncommon number of extras; we are giving the feeling that this command rules over real individuals, instead of only being present in Shakespeare’s mind. Right at the outset, Zeffirelli and Christopher De Vore, take a right with "Hamlet" by moving some of the dialogue and adding some words to generate a scene that does not happen in the original. During the scene where Hamlet, Gertrude and Claudius are provoking one another over the coffin of Hamlet’s father at the wake. In film terms, this scene makes the central problem of "Hamlet" perfectly clear, and vividly reinforces everything that follows. It sets up not only Hamlet’s anguish, but the real lure between his mother and his uncle. The cast has at least three actors who have played Hamlet before: Alan Bates, as Claudius; Paul Scofield, as the ghost of Hamlet’s father, and Ian Holm, as Polonius. Holm is particularly active in the "to thine own self be true" speech, and I enjoyed Bates' strength of bluster and lust, as a man of feat who will have what he needs and not bother himself with the types of questions that torture