By then she already had a plot for his demise, without the help of the god to decide her “fate”. In many ways it was Medea’s actions that sealed her fate and not her predisposition. The first example being that she killed her brother, the king, and…
If Agamemnon did not go through with the sacrifice of his daughter, the masses of troops and greater good of Greece would be in jeopardy and likely toppled. It is in Agamemnon’s best personal interest to save his daughter and all the grief and pain that would come with him sacrificing her. However, the unselfish King is able to accept the pain of his daughter dying for the ultimate selfless act of saving his military and land. Medea on the other hand represents the ultimate selfishness. Medea, although she loves her two sons, doesn’t accept any other option besides killing them.…
She endured great misfortunes at the cost of loving Jason, and thus dedicates the remainder of her life towards destructing Jason. Medea’s actions are notably irrational and unjustifiable. Although her plan succeeded, she didn’t accomplish anything, but the satisfaction of serving Jason’s misery at the expense of her children’s lives. Medea’s appetite for vengeance led to the deterioration of herself. Her greatest personality flaw is her inability to forgive and move on.…
Yet both men are very human when it comes to their faults and both can be seen and the anti-hero. Odysseus can be seen as such because is the new form of hero, the think before you kill, type of hero. His craftiness and tricks can come off as cheating or as not honorable. The corruption of the ideal of xenos is seen in both men's actions. Odysseus' actions of wronged xenos can be seen is the following quotation from Book Nine of The Odyssey: "I'd brought along a skin of wine that we'd been given as a gift.…
He who is guilty and driven by ambition will be blindly pulled around until justice stares him in the face. The Lion King by Roger Allers and Macbeth by Shakespeare are two very different pieces of work but have similar themes throughout. The Lion King and Macbeth have two character in which guilt haunts them in different ways. Blood is significant in both pieces of literature because the main characters feel that they cannot get the blood of others off their hands. Both characters go on a journey significant to their upbringing or downfall.…
Emotions are what separate us and makes a true individual. Guilt is an emotion that the mind doesn’t usually handle very well. There are two types of guilt. The first is the guilt that a person feels for themselves, it can consume ones-self and send the person into a spiral of self-destruction. This guilt can come from when someone tries to better themselves and it falls apart right in front of them.…
He moaned, and wrapped her in his arms, and kissed her.” “There they lie, two corpses, a daughter and her aged father, side by side, a disaster that longs for tears.” The rage inside of Medea and the want to “ruin Jason’s household” she will that the lives of her own two children. The children’s death will “wound my husband the most deeply.” “On this day fortune has bestowed on Jason much grief, it seems, as justice has demanded.”…
Both Krakauer and Odysseus face guilt on their journeys. In this case, both men experience guilt and cope with their guilt in similar ways, but in other ways, both men respond differently. First time both men feel guilty, it’s about withholding information from their companions. There are many different examples, but I will be sharing a few. In the Odyssey, when Odysseus had to keep going on the boat, up ahead, there were two decisions that Odysseus had to make.…
She believes that by burying the children at Hera’s temple, they will be protected and, by the annually holding a feast and sacrifice, to atone for the blood guilt, which would allow for her to not be held accountable for their deaths. However, revenge is justified for Medea knowing that her children will be safe and she will be innocent of their blood. Medea found many ways to justify her desire for revenge and believed that she was righteous according to her view of the gods to which she prayed. However, according to the Christian worldview, she would have been sinning against the Almighty God in her endless pursuit.…
Medea sees the Princess as a pawn, advantageous to her ultimate defeat of Jason and when the young bride meets her untimely death at Medea’s hands, it is Creon who is left to endure the torture of having one he loves torn away from him. And it is through Creon’s harrowing experience that an audience is presented with an unparalleled account of human suffering. The Princess is killed when Medea draws her children to present the maiden with a dress and crown lethal to the wearer. It is by far anything but a humane death, Euripides describing her death as a “horrific sight. [with] The colour [leaving] her face”, screaming loudly and with foam “trickling over her lips” until she was no more.…
Medea goes much too far when she kills her children, and it casts a shadow on her character that is too dark to identify with. Clytemnestra on the other hand has a very good reason to seek revenge on Agamemnon. He kills their daughter and leaves without communicating with Clytemnestra. This would make not just any woman mad, but any human mad. She has over a decade to chew on ideas and plans of revenge, and when Agamemnon gets back, she kills him along with Cassandra.…
I interpret every hesitation she has to kill her children as the last of her humanity trying to appeal to her human nature so that she might choose love over hate and let her children live. Medea’s stream of consciousness is like a commentary of an actual fight between love and hate. She sees the innocence of the children when she looks into their eyes and feels compassion for them. Love throws the first punch. Thinking of Jason, she cannot let her enemies go unpunished.…
Antigone and Medea are both strong women who end up in conflict with the law. These two Greek plays, Antigone by Sophocles and Medea by Euripides, are centered around two women fighting back and responding in a manner they think is right. Antigone and Medea take place in ancient Greece, Thebes and Corinth, respectively. Antigone will do anything possible to achieve her goal, regardless if it hurts those she loves or breaks the law. By comparing and contrasting these main characters, we are able to gain more knowledge about their motives, and thus, we can better understand why they behaved the way they did.…
Medea feels that it is her duty to do what she feels was best for her family and just. She preforms her horrible actions largely, because she feels that Jason has betrayed his duty. Sophocles explains, “The father does not love his sons, but –his new wedding bed,” Medea followed her duty and behaved properly to Jason, until she was betrayed. This is explained by, “[Medea] was in everything Jason 's perfect foil, being in marriage that saving thing: a wife who does not go against her man,” Also, Sophocles suggest that Medea had to seek revenge because she felt Jason betrayed his duty. This is suggested when Medea pleas, “I even bore you sons—just to be discarded for a new bride.…
There exists between Medea and the Greek society a fundamental disjunction in the beliefs that they maintain throughout the entirety of the play. The state of Corinth concerns itself with preserving a façade of orderliness derived from rationality and order; on the contrary, Medea, “who left a barbarous land to become a resident of Hellas” is the embodiment of excess that the civilised world fears, ruled by passionate anger in her lust for revenge. She is forthright in that the emotions in her outward demeanour are aligned with her inner impulses. Euripides constructs Medea in a manner, uncharacteristic of the archetypal Greek woman founded upon pragmatism, who is commonly considered quiet, powerless and purposely unintelligent, Medea is a manipulative, conniving and “clever woman” and assumes a reserved exterior, whilst stifling her own emotions. In her commitment to revenge, Medea defies the expectations of Greek society and the role of women, transforming from the passive Medea, who is “scorned and shamed”, “[lying] collapsed” from the reins of reason imposed by society, into “a woman of hot temper”, who yields to the temptations of raw emotions.…