Grendel is an existentialist, meaning that he believes that no true purpose to life exists, but that one must create their own purpose of living. “I would feel, all at once, alone and ugly, almost- as if I 'd dirtied myself- obscene” (Gardner 17). Grendel presumes that the concluding result- not the afterlife conclusion, but rather the legacy- of his life will be a direct reflection of the things that he has done throughout his existence. Grendel wishes that, upon his death, he would be remembered in retrospect as intimidating, fierce, and powerful.…
It is odd to see an author propose a topic that contradicts his or her writing choice and beliefs , to path readers on a trail of uncertainty, doubt, and speculation. Many would find it peculiar to pose an argument on oneself; however, Jeffrey Cohen does exactly this to the readers of his essay “monster culture”. Cohen sends his readers on a crumbling path of ambiguity when he asks readers a question that puts his readers either at one end of the path or the other asking if monsters truly exist. In Cohen’s “monster culture”, monsters and culture are discussed and speculated on to bring to light the connections between them. “What I will propose here by way of a first foray, as entrance into this book of monstrous content, is a sketch of a new modus legendi: a method of reading cultures from the monsters they engender,” he starts (11).…
Where exactly is the line between what is normal and human and what is considered monstrous? In Jeffrey Jerome Cohen’s Monster Culture, he explores what it means to be a monster and concludes that a monstrous body is pure culture. He argues that a monster’s purpose is to be read so that the monster can reveal and warn society about something (Cohen 4). Many of his theses focus on the idea of an “us” versus “them” mentality. For instance, he writes that monsters are hybrids who don’t fit in any “systematic structuration” (Cohen 6).…
No reader can closely read a good piece of fiction literature without extracting some type of revelation about human nature. Fiction reveals these two sides of human nature with techniques that authors use to help the reader get the theme or idea that the text portrays and it is important that readers understand what these revelations can tell them about themselves. In these short stories, “Ambush” by Roger Woodward, the “Tell-Tale Heart” by Edgar Allen Poe, “The Treasure of Lemon Brown” by Walter Dean Myers and “Suitcases and Snow Globes” by Lara Ferrari, these techniques can be seen in action, thus revealing both the good and evil sides of human nature nature and why they are important to decipher. One of the two examples of techniques that…
Singer-songwriter Eric Burdon illustrates human nature and the universe’s constant struggle between good and evil, “Inside each of us, there is the seed of both good and evil. It 's a constant struggle as to which one will win. And one cannot exist without the other.” John Gardner’s Grendel also exemplifies this conflict, and there is frequent controversy over whether Grendel is considered evil or not. Grendel is not evil; he is merely led to perform evil deeds due to his absence of self-acceptance, companionship, and communication.…
The Grendel in Burton Raffel’s original translations of Beowulf is very different from the Grendel presented by John Gardener in his modern novel. The most striking differences between the two versions of the same monster are their physical appearance, home life and relationship to his mother, and Grendel’s cause of evilness. One of the most noteworthy differences between Burton Raffel’s Grendel and John Gardener’s Grendel is their physical appearance. In the original epic, Grendel’s physical appearance shares many similarities with a reptilian. According to canto eight, (Grendel) “strode quickly across the inlaid floor, snarling and fierce.…
Summary: Monster Theory In the first few lines of this article Jeffery Jerome Cohen, declares that he is creating a new “modus legendi”. That is, he is creating a new method of studying cultures from the monsters they engender (Cohen 3). He is ready to go against how cultural studies have been done in the past and form a new way of thinking and studying culture. Cohen goes one to make a few more comments on culture and history.…
The Romantic Era was an artistic, literary, and intellectual movement that originated in Europe. In order for these artist’s feelings to be freely expressed, the content of their art needed to come from their imagination with little interferences from ‘artificial rules” dictating what should be in a work. Romantics tended to believe that a close connection with nature was both morally and mentally healthy, while they were distrustful of the human world. the focal points of romanticism are emotion, imagination, and freedom. Romantics also have a belief in children 's innocence and wisdom while they viewed adulthood as corruption and betrayal.…
Prateek Gautam Dr. Ziva S Piltch Reading in the Humanities 9 October 2016 Temptation narrative: Genesis vs Paradise Lost The episode of the Fall of the Man is viewed with different perspectives from people to people and encounters several variances in literary pieces. John Milton’s “Paradise Lost”, which can be considered as a detailed version of the Genesis, provides a more in-depth and illustrative look of the process and the purpose of the temptation. Milton has provided the audience with sufficient details on the activities undertaken by Adam, Eve and the Satan in comparison to the similar account in the Genesis.…
Monsters The Frankenstein and Grendel novels, both contain the stories of some of literature’s most famous monsters. The characters in these stories exist to remind the world of the pain that stems from rejection and of the consequences of that pain. Grendel and the “Monster” from Frankenstein explored the realms of men in search of acceptance from them and were both met with cruel rejection. Although their stories were written during different time periods, both characters share many characteristics, story elements and overall themes.…
Grendel’s only choice, without this knowing if he is something definite, leads him to take on the only identity that has ever fit, even if it does not fit perfectly. Grendel is a tragic hero, a victim of fate and circumstance, trying unsuccessfully to find his way in the world before his death. His consumption of humans is simply what comes naturally to him and he is a hero for continuing to exist despite his claims that existence is futile and the world is pointless. His heroism is not traditional but it comes in the face of adversity, such as with all…
Grendel is an innately evil demonic beast and his birthright is to be scorned by man as Cain’s evil offspring. As a result of this ostracism, he takes out his fury on the men in Heorot, killing whomever he can as his own form of warped vengeance stemming from a feeling of isolation as a born outcast. Despite Grendel’s misfortunes, which may garner sympathy from some, his actions are not justified by the situation he is in and, even in a violent, revenge-based society, Grendel is still the heartless beast the Danes see him as and his fate was well deserved. When Grendel is first introduced, he is actually described in a slightly sympathetic light.…
In his writing, “Monster Culture (Seven Theses)”, Jeffrey Jerome Cohen argues that we no longer live in an age that uses Unified Theory, an age when we realized that history is composed of a multitude of fragments. In this writing, he has bound some fragments together to form a “monstrous body” and pushes his readers to reevaluate their cultural assumptions relating to those specific fragments. In his first thesis, “The Monster’s Body is a Cultural Body” Cohen explains that each monster has a certain culture and follows certain rules. The monsters are typically born within a certain cultural moment.…
In the novel Grendel by John Gardner, it tells the story of the epic poem of Beowulf, but from the “behemoth’s” point of view. This story gives a more sympathetic and altered portrayal of the creature known as Grendel. Grendel is speaking for himself and using empathy for his pain. It gives the reader the question of who the real evil in the world is, whether it is Monster or Men. In the beginning of the novel, Grendel is a misunderstood creature.…
Perhaps one of the most emotionally appealing themes a writer can utilize is that of the social outcast endeavoring to find its place in the world, a theme utilized to great effect by both Mary Shelley’s Frankenstein and Charlotte Bronte’s Jane Eyre despite their character’s different fates, the former featuring a supposedly monstrous creation who is ultimately rejected wholly by society and the latter an orphan child who is eventually able to carve an admittedly precarious foothold as a governess. Within this broad theme, there are also certain parallels within the particulars of the plot, mostly between the characters of Jane Eyre and the Creature. First, one can point to the initial disownment of both Eyre and the Creature by their supposed…