From the get-go, Hardy relates the tale to the genre of tragedy, using the phrase “human vanity” and the personification of nature to emphasize a common hamartia in Greek tragedies: the materialism and hubris of mankind. He also distances himself from the poem using archaic diction in the descriptions of the ship, contributing to the poem’s absence of compassion towards the loss of life and raising the gravitas of the poem. In addition, Hardy displays the peripeteia in this tale, employing the sharp contrasts between opulence and decay; with the wordplay around the word “deep” and the listing of primitive sea fauna’s characteristics, the ship is characterized as the ironic pinnacle of Man’s greatest achievements of that time, and its “vaingloriousness” fails to blend with the aquatic setting, extinguishing its “salamandrine fires.” He also develops a theological outlook on history as if a Greek dramatist, using Biblical references, a reference to Clotho, and the suggestions of supernatural forces as to blur the identity of the “Immanent Will” towards an elusive and divine
From the get-go, Hardy relates the tale to the genre of tragedy, using the phrase “human vanity” and the personification of nature to emphasize a common hamartia in Greek tragedies: the materialism and hubris of mankind. He also distances himself from the poem using archaic diction in the descriptions of the ship, contributing to the poem’s absence of compassion towards the loss of life and raising the gravitas of the poem. In addition, Hardy displays the peripeteia in this tale, employing the sharp contrasts between opulence and decay; with the wordplay around the word “deep” and the listing of primitive sea fauna’s characteristics, the ship is characterized as the ironic pinnacle of Man’s greatest achievements of that time, and its “vaingloriousness” fails to blend with the aquatic setting, extinguishing its “salamandrine fires.” He also develops a theological outlook on history as if a Greek dramatist, using Biblical references, a reference to Clotho, and the suggestions of supernatural forces as to blur the identity of the “Immanent Will” towards an elusive and divine