In the chapter ‘Dumb Doras and Gawky’, Horowitz explores different female comedienne stereotypes, most of which possess similar characteristics with Hollywood’s blonde-stereotype, for instance, Lucille Ball’s persona — Lucy Ricardo, in I Love Lucy (1951-1957), and Marilyn Monroe’s persona as the dumb, accidentally comical blonde.
4.1.2 Aging, Performance, and Stardom: Doing Age on the Stage of Consumerist Culture edited by Aagje Swinnen and John A. Stotesbury (Goldie Hawn: An Ageless Blonde for the Baby Boomer Generation by Estrella Tinknell) This book explore ways actors employ in order to mature on-screen following their off-screen age however, this research will be based primarily, although not exclusively, on ‘Goldie Hawn: An Ageless Blonde for the Baby Boomer Generation’ which focuses on Hawn’s on-going construction of her persona — ‘Goldie-ness’, both on-screen and off-screen. This chapter examines Hawn’s roles in different Hollywood comedies, and establish patterns of her persona and the ideological implications behind her choice of film roles in respect to the structuring of her