He transitioned from journalism by writing about writer profiles, which he published a biography of Truman Capote appropriately named Capote: A Biography (1988), later used in the 2005 movie Capote. His book got international praise for the hundreds of hours and personal interviews Clarke had to create a thirteen-week top New York Times bestseller. This is valuable as Get Happy was the following book he composed where he utilized his former research experience of journalism and Capote: A Biography making his investigation and retelling more trustworthy. Yet, a limitation being having only one former biography experience where he spent personal time with Capote, unlike Garland. Get Happy’s content was filled with hundreds of hours of interviews and archives where Clarke spent considerable amount of time finding trustworthy sources, akin to the adored Capote. Though Clarke stated, “In Get Happy I try not only to tell the real story of Judy Garland, but also to tell the story of…the Golden Age of Hollywood" (Clarke). This strays the attention from Garland’s life to tell of Hollywood’s, but it’s a 424 paged book with a 12 paged bibliography suggesting it’s size and source could achieve his
He transitioned from journalism by writing about writer profiles, which he published a biography of Truman Capote appropriately named Capote: A Biography (1988), later used in the 2005 movie Capote. His book got international praise for the hundreds of hours and personal interviews Clarke had to create a thirteen-week top New York Times bestseller. This is valuable as Get Happy was the following book he composed where he utilized his former research experience of journalism and Capote: A Biography making his investigation and retelling more trustworthy. Yet, a limitation being having only one former biography experience where he spent personal time with Capote, unlike Garland. Get Happy’s content was filled with hundreds of hours of interviews and archives where Clarke spent considerable amount of time finding trustworthy sources, akin to the adored Capote. Though Clarke stated, “In Get Happy I try not only to tell the real story of Judy Garland, but also to tell the story of…the Golden Age of Hollywood" (Clarke). This strays the attention from Garland’s life to tell of Hollywood’s, but it’s a 424 paged book with a 12 paged bibliography suggesting it’s size and source could achieve his