Gero Crucifix Analysis

The “Gero Crucifix” was a grand crucifix commissioned by Archbishop Gero, then denoted to the Cologne Cathedral in Cologne, Germany around 970 (University of Minnesota). This monumental figure towers a total of six feet and two inches in height and made from wood that was then decoratively painted in bright vibrant colors (Cologne Cathedral). The artist name was no given, however it is known that they had carved the sculpture out of wood. This cross is both a representation of a statue and a reliquary (Gardner and Kleiner). This figure was created under the Ottonian Empire in the early Medieval Europe, during the first half of this period had a drastic lack of monumental sculpture and figure before the “Gero Crucifix” reignited and revived …show more content…
The large part of the sculpture would be the prominent wooden cross that supports the figure followed by the intricate depiction of Jesus nailed upon it. The sculpture of Jesus shows dynamic yet a little disfigured pose as the body is twisted and limp and the head fallen in exhaustion. The facial features show him with a defeated and sunken expression as his mouth is frowned, and eyes closed, in addition a detailed halo is placed above his head to show his holiness as the son of god. There is a small inscription on the top of the …show more content…
It was named after the Archbishop Gero who commissioned the piece. It reflects the important of religion in the upcoming era and gives people an idea of interpreting biblical stories in different ways such as Gero had done. This piece is important to art history because reignited the idea of monumental sculptures during its time of decline and showcased the power in the expression narrative with the sadness and agony that it portrayed to the people of that