*Remember this is an ISOLATED, imaginary island based on actual characteristics of a geographic region*
Name (real or imagined): Oakhaven
Location of the country (or other area):
The small, isolated island reides just to the west coast of North Europe (Europe is located a continent located west of the contiinent of Asia, and north of the continent of Africa. This area has a distinctively diverse topography, biodiversity, elecation leval, climate, natural resource and more.
Climate: The coast of Oakhaven possess a subarctic climate, like that of western Alaska. Long, harsh, bitterly cold winters bring frequent snowstorms. Summers, although short and cool, feature the rare spectacle of seemingly …show more content…
The phrase “middle ages” to describe Europe between the fall of Rome in 476 CE and the beginning of the Renaissance in the 14th century. The phrase “Middle Ages” tells us more about the Renaissance that followed it than it does about the era itself. Starting around the 14th century, European thinkers, writers and artists began to look back and celebrate the art and culture of ancient Greece and Rome. Accordingly, they dismissed the period after the fall of Rome as a “Middle” or even “Dark” age in which no scientific accomplishments had been made, no great art produced, no great leaders born. The people of the Middle Ages had squandered the advancements of their predecessors, this argument went, and mired themselves instead in what 18th-century English historian Edward Gibbon called “barbarism and religion.”
Natural Resources:
Some main natural resources discoverable in the island of Oakhaven include a great ordeal of wood, coal, and natural gas. ALl of these resources have to be cherished during the harsh winter conditions. The wood, coal and natural gas are all forms of heat (which is truely neccessary if the winter wants to be …show more content…
The phrase “middle ages” to describe Europe between the fall of Rome in 476 CE and the beginning of the Renaissance in the 14th century. The phrase “Middle Ages” tells us more about the Renaissance that followed it than it does about the era itself. Starting around the 14th century, European thinkers, writers and artists began to look back and celebrate the art and culture of ancient Greece and Rome. Accordingly, they dismissed the period after the fall of Rome as a “Middle” or even “Dark” age in which no scientific accomplishments had been made, no great art produced, no great leaders born. The people of the Middle Ages had squandered the advancements of their predecessors, this argument went, and mired themselves instead in what 18th-century English historian Edward Gibbon called “barbarism and