He also goes into how QAF was not afraid to introduce its viewers, the world into this “gay culture” where there are discos, bathhouses, bars, threesomes, cyber sex, international relationships and not centered around “coming out” and not having this fear of “coming out” but instead again visually representing proud to be gay characters, and contrary to how Hollywood usually represented gay characters, showcased complexive characters who had desires and pleasures. However, Porfido also speakon this notion that though QAF does have this representation in which homosexual joys of life, sex, sexual freedom, pride and pleasures that are not interlaced with diseases and death and that there should be this sense of visual celebration, one has to keep in mind that in probably in cynical way, this glamorization of gay life and or gayness was a marketing, business strategy, that created this sense enticement of both homosexual and hetersexual
He also goes into how QAF was not afraid to introduce its viewers, the world into this “gay culture” where there are discos, bathhouses, bars, threesomes, cyber sex, international relationships and not centered around “coming out” and not having this fear of “coming out” but instead again visually representing proud to be gay characters, and contrary to how Hollywood usually represented gay characters, showcased complexive characters who had desires and pleasures. However, Porfido also speakon this notion that though QAF does have this representation in which homosexual joys of life, sex, sexual freedom, pride and pleasures that are not interlaced with diseases and death and that there should be this sense of visual celebration, one has to keep in mind that in probably in cynical way, this glamorization of gay life and or gayness was a marketing, business strategy, that created this sense enticement of both homosexual and hetersexual