Stereotypes In Margaret Mitchell's Gone With The Wind

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Although Margaret Mitchell wrote only one novel, she turned into an overall marvel coming to a great many perusers around the globe with her memorable novel Gone with the Wind. For this American Civil War-period novel, she won the National Book grant for Most Distinguished Novel in 1936 and the Pulitzer Prize in 1937. Gone with the wind set a business record of 50,000 duplicates in one day , one million in the initial six months and two million in the first year. The film, Gone with the Wind, was a runaway achievement when it showed up in 1939, getting nine Academy Awards. The ubiquity of both the book and the film has, pretty much, made due as the decades progressed.

Gone With The Wind is a celebrated novel of Popular fiction. Popular fiction aims to entertain, to excite, to comfort. Also known as Genre fiction, it comprises of plot driven fictional works. This type of work is typically divided
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In Gone with the Wind, Mitchell portrays some Southern female stereotypes – especially that of week and docile woman, such as Scarlett’s sisters and Ashley’s sister, India Wilkes – and then undermines them by delimiting their roles. Despite the severe gender inequality of that time, females in Gone with the Wind show strength and ability that equals the strength and ability of males. The chief focus of the conflict between tradition and anti- tradition is , of course, within the character of Scarlett O’ Hara. Although Scarlett tries to adhere to the social conventions of gender, she feels as restrained by them as Rhett does. Later in the story, after the war is over, Scarlett realizes that the training she received from her mother to act as a lady is virtually useless in such changed and unfavourable circumstances. She emerges as a feminist heroine as she relies on herself and survives the Civil War and Reconstruction

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