They were no longer the quiet, “ladylike” wives their husbands grew to love. They were far more independent and questioned their husbands a lot more. They also began to put their needs in front of their children’s more often. It is no surprise that Kate Chopin’s The Awakening, which is set in the late nineteenth century, is a feminist novel. The protagonist, Edna Pontellier is a woman ahead of her time. She is the ideal nineteenth century feminist. Throughout the novel, Edna challenges gender roles, explores and discovers her sexuality and gains independence. Throughout the novel, Edna continuously breaks traditional gender roles. The first gender role she breaks is the role of women and motherhood. Right at the beginning, the reader gets a sense of who Edna is. Mr. Pontellier is not satisfied with his wife’s neglect of the children. Edna’s maternal instincts do not come naturally; in fact, she is “not a mother-woman” (Chopin 16). As described later on the same page, a “mother-woman” is a woman who follows the “cult of domesticity”. A wife described as a “mother-woman” is protective and loving towards their children. Mother-women are also said to worship their husbands and children. Edna is quite the opposite
They were no longer the quiet, “ladylike” wives their husbands grew to love. They were far more independent and questioned their husbands a lot more. They also began to put their needs in front of their children’s more often. It is no surprise that Kate Chopin’s The Awakening, which is set in the late nineteenth century, is a feminist novel. The protagonist, Edna Pontellier is a woman ahead of her time. She is the ideal nineteenth century feminist. Throughout the novel, Edna challenges gender roles, explores and discovers her sexuality and gains independence. Throughout the novel, Edna continuously breaks traditional gender roles. The first gender role she breaks is the role of women and motherhood. Right at the beginning, the reader gets a sense of who Edna is. Mr. Pontellier is not satisfied with his wife’s neglect of the children. Edna’s maternal instincts do not come naturally; in fact, she is “not a mother-woman” (Chopin 16). As described later on the same page, a “mother-woman” is a woman who follows the “cult of domesticity”. A wife described as a “mother-woman” is protective and loving towards their children. Mother-women are also said to worship their husbands and children. Edna is quite the opposite