19th century critics portray Jane Eyre both as a feminist and Chartist manifesto. Through the heroine’s character, Brontë expresses how feminine power and independence are important, and they are seen especially during the moment when Rochester and Jane are married, and she becomes “her own mistress” (Brontë 246). She claims at that moment that she will not depend on him. If we look at the end of the novel, the gender roles are somewhat reversed, by Rochester depending on Jane to be his eyes and his hands. At a time when the simple word feminism was never heard, through Jane’s character Brontë expresses the notion that “women feel just as men do” (Brontë 77), and the fact that women cannot live a life that is forged into “stagnation” and “rigid
