2) as a strong female heroine moments after the murder. Judith is in the act of handing over Holofernes’ head to her maidservant after the violent act. Her breast is exposed and she is gazing outward directly at the viewer. The dramatic scene is emphasized by the use of a single light source from below by the candle held in the elderly maidservant’s grip. Judith is looking outward towards the viewer and her physical appearance appears to be an amalgamation of both genders. Her breasts are voluptuous, yet her arms are muscular, like a man’s. The overall painting is menacing. Rubens paints an almost femme fatale image or Judith as a woman who demonstrated her victim’s demise was due to her irresistible sexuality, rather than strength. The image conforms to the notion that women will use their sexuality to manipulate
2) as a strong female heroine moments after the murder. Judith is in the act of handing over Holofernes’ head to her maidservant after the violent act. Her breast is exposed and she is gazing outward directly at the viewer. The dramatic scene is emphasized by the use of a single light source from below by the candle held in the elderly maidservant’s grip. Judith is looking outward towards the viewer and her physical appearance appears to be an amalgamation of both genders. Her breasts are voluptuous, yet her arms are muscular, like a man’s. The overall painting is menacing. Rubens paints an almost femme fatale image or Judith as a woman who demonstrated her victim’s demise was due to her irresistible sexuality, rather than strength. The image conforms to the notion that women will use their sexuality to manipulate