Jorgensen states in her autobiography that, “my idealized existence was based on my skewed perception of a woman’s status in America. I trusted that as a female I would be instantly credible, acceptable, and understood…doors would be opened for me, and society would rush forward to reward my femininity with an honored position in the heterosexual society” ( Jorgensen 236). Despite her claims that she was not homosexual, many individuals within her society continued to believe that she was in fact homosexual, and her sex change was only a product of not accepting herself as a homosexual. However, the hormone injections and surgery transformed her into not only a woman but also a heterosexual. Jorgensen reinforces the belief that femininity is expressed “naturally” by embodying a normative feminine identity. Her “lady like” characteristics and embodiment of the norms of white woman hood, such as, domesticity, homosexuality and respectability contributed to her visibility in the mainstream. She was considered a “good transsexual” rather than a “sex deviant” because her particular image of femininity was an image mostly idolized in the 1950’s. In Constructing the ‘Good Transsexual’, the author Emily Skidmore further explains the idea that Jorgensen’s body was produced as female, through her embodiment of physical qualities of an idealized image of femininity. Skidmore quotes the “Los Angeles Times Newspaper” reporting Jorgensen as, “pretty, personable, and pleasant by any standard. She 's courteous and intelligent, too. Over lunch in a suite at the Statler yesterday, this reporter forgot to remember her past maleness and saw only the present femininity and charm” (Skidmore 276). Jorgensen presented herself in ways that corresponded to traditional notions of middle class
Jorgensen states in her autobiography that, “my idealized existence was based on my skewed perception of a woman’s status in America. I trusted that as a female I would be instantly credible, acceptable, and understood…doors would be opened for me, and society would rush forward to reward my femininity with an honored position in the heterosexual society” ( Jorgensen 236). Despite her claims that she was not homosexual, many individuals within her society continued to believe that she was in fact homosexual, and her sex change was only a product of not accepting herself as a homosexual. However, the hormone injections and surgery transformed her into not only a woman but also a heterosexual. Jorgensen reinforces the belief that femininity is expressed “naturally” by embodying a normative feminine identity. Her “lady like” characteristics and embodiment of the norms of white woman hood, such as, domesticity, homosexuality and respectability contributed to her visibility in the mainstream. She was considered a “good transsexual” rather than a “sex deviant” because her particular image of femininity was an image mostly idolized in the 1950’s. In Constructing the ‘Good Transsexual’, the author Emily Skidmore further explains the idea that Jorgensen’s body was produced as female, through her embodiment of physical qualities of an idealized image of femininity. Skidmore quotes the “Los Angeles Times Newspaper” reporting Jorgensen as, “pretty, personable, and pleasant by any standard. She 's courteous and intelligent, too. Over lunch in a suite at the Statler yesterday, this reporter forgot to remember her past maleness and saw only the present femininity and charm” (Skidmore 276). Jorgensen presented herself in ways that corresponded to traditional notions of middle class