Frost and other ‘nature’ poets The majority of the antiquated English writers (poets) particularly Wordsworth, Shelly and Robert Frost used to compose poems about their experiences, society, and nature. Be that as it may, we discover the majority of the naturalistic components in the poems of Robert Frost. His verse for the most part gives an impression of interesting and more similarity of individuals living in a conventional society. He anticipates his congeniality and relationship towards nature is exceptionally vivacious to …show more content…
In his book The Pastoral Art of Robert Frost, John F. Lynen finds numerous memories of Wordsworth, Keats, and other romantics in Frost's verse. Jay Parini in his article, "Emerson and Frost: The Present Act of Vision," has called Frost "especially an American romantic — one whoseprimary source can be traced back to Emerson" (207). Roberts French, in "Robert Frost and the Darkness of Nature," considers Frost to be a "dark romantic" who has composed "poems that express a certain joy in nature... [still] he is a long way from being a lover of nature; perusing his works, one finds …show more content…
Tribute to a Nightingale is an escape into the lala land thrown up by Keats' romantic creative ability and Frost's Birches could yield just the critical subject of romanticism, not idealism. John Keats, as a Romantic writer, is versatile, for there is a rarest of the remarkable blend of various parts of romantic poetry. One can find that his poems are an extraordinarily designed and cheerful in nature with the intend to duplicate lovely medieval past and an announcement of an energetic and significant strain of nature as well. Robert Frost other than being known as the American romanticist is maybe the best cherished of every single American Poet. It is in this way, since his idyllic topics are only commonplace and customary things. Still the straightforwardness in his poems is discovered just at first glance, for they pass on the thoughts and considerations that are profound and inferred. As indicated by him, "a poem starts in joy and closures in