He did, however, learn to follow a lead sheet during a performance by "carefully following the patterns and groupings of notes arranged on the page" and made his own notations to the music, using his ear to detect semi-tonal differences. Granata states that some of the most accomplished classically trained musicians soon noticed his musical understanding, and remarked that Sinatra had a "sixth sense". Though Sinatra once famously described it as "sung, played and written for the most part by cretinous goons," it's hard to imagine rock 'n' roll, or contemporary pop stardom, without his example. His sexual energy and knowing — evident in his phrasing, even early on — and sheer charisma spawned the bobby soxers who prefigured those girls and women screaming for Elvis, The Beatles and all the rest. Sinatra also carried his swagger and irreverence offstage: The various accounts of his womanizing, physical and verbal confrontations and run-ins or near-run-ins with the law rival those attached to anyone from Jerry Lee Lewis to Justin Bieber. He helped integrate American music. A civil rights advocate from early on, Sinatra used his influence to promote African-American musicians. Wynton Marsalis notes that his mentor, trumpeter Harry "Sweets" Edison, worked frequently with Sinatra. "Sweets said that during a time when America was segregated, Frank Sinatra made sure (black) musicians were paid well and treated with respect." Quincy Jones remembers that when he and Basie's orchestra joined Sinatra in Vegas in 1966, the town "was still segregated. And I mean very segregated. Frank assigned a very imposing bodyguard to every member of the band and gave them orders to break anyone's nose that looked at us
He did, however, learn to follow a lead sheet during a performance by "carefully following the patterns and groupings of notes arranged on the page" and made his own notations to the music, using his ear to detect semi-tonal differences. Granata states that some of the most accomplished classically trained musicians soon noticed his musical understanding, and remarked that Sinatra had a "sixth sense". Though Sinatra once famously described it as "sung, played and written for the most part by cretinous goons," it's hard to imagine rock 'n' roll, or contemporary pop stardom, without his example. His sexual energy and knowing — evident in his phrasing, even early on — and sheer charisma spawned the bobby soxers who prefigured those girls and women screaming for Elvis, The Beatles and all the rest. Sinatra also carried his swagger and irreverence offstage: The various accounts of his womanizing, physical and verbal confrontations and run-ins or near-run-ins with the law rival those attached to anyone from Jerry Lee Lewis to Justin Bieber. He helped integrate American music. A civil rights advocate from early on, Sinatra used his influence to promote African-American musicians. Wynton Marsalis notes that his mentor, trumpeter Harry "Sweets" Edison, worked frequently with Sinatra. "Sweets said that during a time when America was segregated, Frank Sinatra made sure (black) musicians were paid well and treated with respect." Quincy Jones remembers that when he and Basie's orchestra joined Sinatra in Vegas in 1966, the town "was still segregated. And I mean very segregated. Frank assigned a very imposing bodyguard to every member of the band and gave them orders to break anyone's nose that looked at us