Oscar Wilde, as a follower of William Pater, believed in art for the sake of art – that it has no place to judge or teach what is moral or immoral. However, the novel doesn’t seem to follow these parameters and has a message to teach its reader. Even though Wilde claimed that “all art is quite useless” in his preface, we are consistently shown by every character that art is a powerful enough medium that it can control a person’s actions. Dorian falls prey to pride, the worst and most dangerous of the seven deadly sins, and doesn’t understand that sins manifest and change us; they may hide behind a beautiful and young face for the time being, but eagerly catch up in the long run. When he looks at his portrait, he sees himself for what he truly is – an unrecognizable face that has drowned in his sins and misfourtune. Dorian’s most valuable trait, his ego, is what ultimately leads him to his tragic fate and proves that once again, evil is as evil
Oscar Wilde, as a follower of William Pater, believed in art for the sake of art – that it has no place to judge or teach what is moral or immoral. However, the novel doesn’t seem to follow these parameters and has a message to teach its reader. Even though Wilde claimed that “all art is quite useless” in his preface, we are consistently shown by every character that art is a powerful enough medium that it can control a person’s actions. Dorian falls prey to pride, the worst and most dangerous of the seven deadly sins, and doesn’t understand that sins manifest and change us; they may hide behind a beautiful and young face for the time being, but eagerly catch up in the long run. When he looks at his portrait, he sees himself for what he truly is – an unrecognizable face that has drowned in his sins and misfourtune. Dorian’s most valuable trait, his ego, is what ultimately leads him to his tragic fate and proves that once again, evil is as evil