The designer creates the intended design and projects what the ideal form of the construct will be. The craft of the workman is to interpret the visual and verbal statement and to apply the technique to produce it. Through certainty, operations can be predetermined and are outside the control of the workman once production begins. As the operation progresses, risk begins to be taken into consideration with the craft. The workmanship will always remain an approximation, where the fully dimensioned details are not achievable, purely because all geometric form (both strait and curved) is influenced by a false human perception of reality. Rough work can be refined as a sketch would be, to become more precise and perfected. The designer has to realize the limitations of their design with aesthetics and form, when being applied in the real world, and then crafted by the
The designer creates the intended design and projects what the ideal form of the construct will be. The craft of the workman is to interpret the visual and verbal statement and to apply the technique to produce it. Through certainty, operations can be predetermined and are outside the control of the workman once production begins. As the operation progresses, risk begins to be taken into consideration with the craft. The workmanship will always remain an approximation, where the fully dimensioned details are not achievable, purely because all geometric form (both strait and curved) is influenced by a false human perception of reality. Rough work can be refined as a sketch would be, to become more precise and perfected. The designer has to realize the limitations of their design with aesthetics and form, when being applied in the real world, and then crafted by the