Femme False In British Literature

Rhetorical themes such as the concept of the femme fatale is evident throughout the gothic novels Christabel, Rime of the Ancient Mariner, Lamia, and Carmilla. Even though the femme fatale was being portrayed in literature, it was representative of unrest about the rise of the “new woman” as females were becoming more powerful in society. In this time period was a realistic fear for the community and portraying women that are loose, seductive, and deadly if not kept under control. These characters use their charming looks to manipulate those around them into unpleasant situations that lead to their ultimate demise. Although some of these characteristics have stayed the same over the years, there are some elements that have evolved. The origins of the femme fatale remains vague, but its appearance in British literature begins with Geraldine from Christabel by Samuel Taylor Coleridge. The character of Geraldine first appears as a beautiful and innocent damsel in distress to the gothic heroine, Christabel. Manipulating the victims into believing her to be trusted is key in any femme fatale’s plan. Geraldine’s mysterious background story that portrays her being kidnapped and left by a tree intrigues Christabel just enough to allow her back into her family’s home. Interestingly enough, Geraldine needs the physical help …show more content…
Her family seems enticed by her beauty as Madame calls her “the prettiest creature I ever saw… and so gentle and nice” upon first meeting her (LeFanu III). No one really knew much about who Carmilla was or anything having to do with her past. It is a typical trait of a femme fatale to be charming and somewhat hypnotizing on their victims, and Carmilla is no exception to that. Yet Laura is skeptical about their guest being absent during prayer times, her similar dream as a child, sleeping in a locked room, and having random “sleepwalking”