She sees one’s home as a place of resistance and how one needs to assess their history and see how much had started at home. This is an indication to the fact that patriarchy knows no gender. From personal experience, my grandmother once told her sons not to cry at her funeral and never express their emotions publicly as that would weaken their status in the Pashtun society. Taking this idea to a broader level, Imani Perry in her book ‘Prophets of the Hood’ explains how hip hop music has been transformed from being the emotional voice of black men to that of masculinity which speaks to their imperialist white supremacist capitalist patriarchal
She sees one’s home as a place of resistance and how one needs to assess their history and see how much had started at home. This is an indication to the fact that patriarchy knows no gender. From personal experience, my grandmother once told her sons not to cry at her funeral and never express their emotions publicly as that would weaken their status in the Pashtun society. Taking this idea to a broader level, Imani Perry in her book ‘Prophets of the Hood’ explains how hip hop music has been transformed from being the emotional voice of black men to that of masculinity which speaks to their imperialist white supremacist capitalist patriarchal