However, there are other examples of paintings depicting the same exact story in an entirely different light that would be completely unrecognizable as a Faust piece of artwork. To begin, the painting, created by Karl Friedrich Schinkel, is much more colorful in comparison to the other three faust paintings. And a detail of particular interest is the fact that the character of Faust is no where to be found in the painting. The three previous paintings used the character of Faust as one of, if not the only, main focal points of the painting. It is curious that Schinkel would decide to emit Faust from a painting which was dedicated to the very story that is all about him. It creates a sense of wonder in anyone who sees it because, put plainly, they struggle to figure out just exactly how this has to do with Faust in the first place. It is largely possible that the reasoning for this fact is that Karl Friedrich Schinkel was largely an architect rather than a painter. His main focus was on expressing through architecture. This would account for the lack of a human representation of Faust, moving the entire focus of the painting towards the
However, there are other examples of paintings depicting the same exact story in an entirely different light that would be completely unrecognizable as a Faust piece of artwork. To begin, the painting, created by Karl Friedrich Schinkel, is much more colorful in comparison to the other three faust paintings. And a detail of particular interest is the fact that the character of Faust is no where to be found in the painting. The three previous paintings used the character of Faust as one of, if not the only, main focal points of the painting. It is curious that Schinkel would decide to emit Faust from a painting which was dedicated to the very story that is all about him. It creates a sense of wonder in anyone who sees it because, put plainly, they struggle to figure out just exactly how this has to do with Faust in the first place. It is largely possible that the reasoning for this fact is that Karl Friedrich Schinkel was largely an architect rather than a painter. His main focus was on expressing through architecture. This would account for the lack of a human representation of Faust, moving the entire focus of the painting towards the