Thought the vagueness of Goya’s prints both in settings and in captions such as “They do not want to”, “Nor do these”, and “Or these” he is able to give the impression of a widespread suffering and not pinpoint it on one experience (Goya 9-11). Kosinski’s The Painted Bird also accomplishes this through the vagueness of the setting and never describing where the boy is besides for saying he is on a village in the Eastern Front. The fact that his story is a combination of a multitude of influences mirroring real life events suffered by others, also adds to its vague nature. It is this strength that creates the intrigue of the readers and what causes them to react. Both books, to their credit, prove that a fictional representation of war can indeed be a powerful narrative. This is seen by the ongoing discussion of Goya’s prints and the continuing dialog about The Painted Bird and its relation to events in World War
Thought the vagueness of Goya’s prints both in settings and in captions such as “They do not want to”, “Nor do these”, and “Or these” he is able to give the impression of a widespread suffering and not pinpoint it on one experience (Goya 9-11). Kosinski’s The Painted Bird also accomplishes this through the vagueness of the setting and never describing where the boy is besides for saying he is on a village in the Eastern Front. The fact that his story is a combination of a multitude of influences mirroring real life events suffered by others, also adds to its vague nature. It is this strength that creates the intrigue of the readers and what causes them to react. Both books, to their credit, prove that a fictional representation of war can indeed be a powerful narrative. This is seen by the ongoing discussion of Goya’s prints and the continuing dialog about The Painted Bird and its relation to events in World War