16.” The piece was composed by Edvard Grieg (1843-1907). The piece was played by Robert Holm and Jasmin Arakawa on two different pianos. The sustaining pedal was also used in this piece by both of the players. Jasmin Arakawa read the sheet music while playing and Robert Holm played from memory. Robert Holm explains to the audience that there are three movements in this piece: Allegro molto moderato, Adagio, and Allegro moderato e marcato. The dynamics used in this piece were forte and piano. The piece starts off really dramatic and there is a wavelike contour. The range of this piece is narrow and the movement is conjunct. There is also a lot of variation used in this piece. This was the longest piece performed out of the other pieces. There is some dissonance used in this piece and there is a lot of hand crossing in this piece. Hearing this piece being played in its entirety is really three different songs and instead of
16.” The piece was composed by Edvard Grieg (1843-1907). The piece was played by Robert Holm and Jasmin Arakawa on two different pianos. The sustaining pedal was also used in this piece by both of the players. Jasmin Arakawa read the sheet music while playing and Robert Holm played from memory. Robert Holm explains to the audience that there are three movements in this piece: Allegro molto moderato, Adagio, and Allegro moderato e marcato. The dynamics used in this piece were forte and piano. The piece starts off really dramatic and there is a wavelike contour. The range of this piece is narrow and the movement is conjunct. There is also a lot of variation used in this piece. This was the longest piece performed out of the other pieces. There is some dissonance used in this piece and there is a lot of hand crossing in this piece. Hearing this piece being played in its entirety is really three different songs and instead of