This is made apparent at the beginning of the book, describing a burning being performed by Montag, an “amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame” (1). At first, Bradbury describes Montag in harmony with the fiery burning, the conductor of a glorious ritual. WIth the “tatters and charcoal ruins of history”, the author suggests that the government has already brainwashed members of this society into thinking that history is useless and unclear, and deserves to be brought down into a pile of ash. Bradbury describes Montag as stolid and having eyes “all orange flame”, further suggesting that he lacks real emotion and is simply following along with the system. When Clarisse first makes Montag question the way things are, Montag gets a flashback to his childhood: “His mother had found and lit a last candle and there had been a brief hour of rediscovery, of such illumination” (5). Without electricity, Montag as a child was forced to explore the natural world guided by the light from the
This is made apparent at the beginning of the book, describing a burning being performed by Montag, an “amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame” (1). At first, Bradbury describes Montag in harmony with the fiery burning, the conductor of a glorious ritual. WIth the “tatters and charcoal ruins of history”, the author suggests that the government has already brainwashed members of this society into thinking that history is useless and unclear, and deserves to be brought down into a pile of ash. Bradbury describes Montag as stolid and having eyes “all orange flame”, further suggesting that he lacks real emotion and is simply following along with the system. When Clarisse first makes Montag question the way things are, Montag gets a flashback to his childhood: “His mother had found and lit a last candle and there had been a brief hour of rediscovery, of such illumination” (5). Without electricity, Montag as a child was forced to explore the natural world guided by the light from the