Fahrenheit 451 Character Analysis

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(MIP-3) People who are not focused on materialistic things are more humane and emotional.
(SIP-A) Faber is much more emotional and human because he lives with less materialistic things.
(STEWE-1) In Faber’s living room, Montag notices Faber doesn't have much technology. “‘As you see, my parlour is nothing but four plaster walls. ‘And here’ He held out two small rubber plugs. "For my ears when I ride the subway-jets”( ) . Faber doesn't live with a tv parlor, instead his parlor is simply four plaster walls. He lives very simple and doesn't get caught up in everything, but doesn't ignore it completely. He even has plugs to block out the annoying symphony of advertisements when out and about. Faber is doing the opposite from what everyone else
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He knows that it's important to look at everything about society, not just that he is entertained, but if he is treated well and safe. (SIP-B) Clarisse is very emotional and observant, especially when it comes to nature, unlike Mildred and the rest of society. (STEWE-1) When Clarisse comes up in the beginning of Fahrenheit 451, she is very observant of the smells and tastes of nature. “Let's talk about something else. Have you ever smelled old leaves? Don't they smell like cinnamon? Here. Smell." "Why, yes, it is like cinnamon in a way." She looked at him with her clear dark eyes. "You always seem shocked.""It's just I haven't had time--" "Did you look at the stretched-out billboards like I told you?" "I think so. Yes." He had to laugh. "Your laugh sounds much nicer than it did"( ) . Unlike many other people including Montag, Clarisse notices every little thing about nature. Until he met Clarisse, Montag never even thought to smell leaves or taste the rain, or even notice how stretched out billboards are compared to how they used to be. Clarisse also brought so much joy to Montag and made him realise he wasn't happy. (STEWE-2) Clarisse and her family have much more emotion compared to other families. “Laughter blew across the moon-coloured lawn

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