Cut from a different cloth than those around her, Hedda wishes to escape the provincial society around her. Compared to the other female characters in the play, she seems like an unnatural woman. Jenny Bjorklund, author of Playing with Pistols: Female Masculinity in Henrik Ibsen’s Hedda Gabler, points out, “Hedda does not conform to the woman’s role of the time: she feels imprisoned in her gender role, her marriage, and her presumed pregnancy…” (Bjorklund 1). Hedda is unable to find fulfillment in the typical roles of women. She “cannot help a man create, either biologically or intellectually, because… she desires to arrogate the masculine role to herself (Templeton 209-210). As Ibsen himself wrote in his working notes, “she really wants to live the whole life of a man” (Templeton 230). Through this play, as in several others, Ibsen portrays the restrictive life of women’s experiences in contemporary society and the resulting emotional damage they
Cut from a different cloth than those around her, Hedda wishes to escape the provincial society around her. Compared to the other female characters in the play, she seems like an unnatural woman. Jenny Bjorklund, author of Playing with Pistols: Female Masculinity in Henrik Ibsen’s Hedda Gabler, points out, “Hedda does not conform to the woman’s role of the time: she feels imprisoned in her gender role, her marriage, and her presumed pregnancy…” (Bjorklund 1). Hedda is unable to find fulfillment in the typical roles of women. She “cannot help a man create, either biologically or intellectually, because… she desires to arrogate the masculine role to herself (Templeton 209-210). As Ibsen himself wrote in his working notes, “she really wants to live the whole life of a man” (Templeton 230). Through this play, as in several others, Ibsen portrays the restrictive life of women’s experiences in contemporary society and the resulting emotional damage they