Montag also realizes possible discontent with his marriage through Bradbury’s paradox of the room being “not empty”, but then “indeed empty” which communicates how Mildred physically exists however, her mind wanders somewhere else. Hence, Montag’s unhappiness turns tragic as he feels ambivalent towards how to change his life in a society where happiness is displayed, not created. “Guy is finding that beneath the exterior is a vast emptiness” (Sisarios 1). Bradbury not only illustrates Montag’s emptiness through wearing “his happiness like a mask”, but he articulates how Montag desired to fit into the parameters of the initial culture similar to the rest of the collective. Subsequently, Captain Beatty later divulges that he too gained knowledge from books ironically , yet how to
Montag also realizes possible discontent with his marriage through Bradbury’s paradox of the room being “not empty”, but then “indeed empty” which communicates how Mildred physically exists however, her mind wanders somewhere else. Hence, Montag’s unhappiness turns tragic as he feels ambivalent towards how to change his life in a society where happiness is displayed, not created. “Guy is finding that beneath the exterior is a vast emptiness” (Sisarios 1). Bradbury not only illustrates Montag’s emptiness through wearing “his happiness like a mask”, but he articulates how Montag desired to fit into the parameters of the initial culture similar to the rest of the collective. Subsequently, Captain Beatty later divulges that he too gained knowledge from books ironically , yet how to