In the cycles of the art world, artistic styles progress over time and new innovative techniques embody an era, but the past periods never truly fade from the mind of the artist, hence periods like the Renaissance, a rebirth of an older era of art. However this retrospective obsession with art can meddle up an art history timeline if a statue is not properly dated to the correct era. This is case the regarding the Piombino Apollo, a statue found at sea in 1832 with a complex history of study where it eventually made its way to the Louvre Museum in Paris, France. The statue looks extremely archaic, like a kouros, but some more advanced stylistic evidence on the statue contradict the earlier claim regarding an archaic date and places it in a later Hellenistic one.…
For this analysis, the artwork I selected a Volute Krater made in Greece during the 4th century B.C.E. The artist, The Underworld Painter, uses several lines, especially in the temple made for Atlas. The horizontal and vertical lines give the temple definite shape because of the thickness and they signify that a hero who has died, is the focal point on the back of the vase. The artist also uses curved lines at the top of the vase to show the richness of detail and drive the story further. The artist also uses the pointing hands of several figures to show a psychological point; Atlas on his throne and Selene driving her chariot.…
Despite only a portion of the work remaining, it is evident that Apollo or Dionysus was depicted with a lean body type as evidenced by the slimness of the figure, coupled with its flat stomach. There is the presence of v-shaped lines at the intersection of the abdomen and the beginning of the thigh, marking a clear division of the torso and pelvis. The appearance of v-shaped lines is present whenever a man has low body fat and muscular definition, and those of the sculpture are deeply accentuated. There is an athletic appearance to the torso; however, its athleticism is depicted as toned as opposed to bulky. For instance, while there is some muscular definition in the figure’s abdomen, there is not a noticeable prominence of the abdominal region.…
Depictions of man, gods, and heroes revolved around themes of daily life and emotional states. Despite the humble themes and lifelike portrayals of human beings, Hellenistic artworks were still able to display power and authority through the strong emotions they evoked. The bronze statue of the Seated Boxer and the Portrait Statue of Aule Meteli (Arringatore) both display a great sense of power by capturing a sense of realism and evoking emotions upon the viewer. The Seated Boxer and the Portrait Statue of Aule Meteli both made use of the medium of bronze, allowing way for realistic expressions of the human figure and engagement of the viewers’ attention and emotions.…
The Peplos Kore and Anita Huffington’s Kore are two established works of art that possess the delicate nature of humanity. The differences between the Peplos Kore and Anita Huffington’s Kore can likely be attributed to the magnitude of elapsed time between their creations; however, their similarities stem from the similar depictions of the female body. The Peplos Kore was sculpted during the Archaic period in 530 BCE., just before the Classical period, whereas Anita Huffington’s Kore is a contemporary work of art crafted in 1991. Despite very dissimilar goals, both artists were able to portray the tranquility of the female body’s physical and emotional elements. Seen as one of the of the most exceptional figures from the Archaic period, The Peplos Kore from Acropolis, Athens comes into the picture.…
His sculptures reveals the beauty of human body, which is a characteristic expression of Humanism during the High Renaissance period. At that time, people were just extricate from the Middle Ages, which were often referred to as the “Dark Ages”. People started to recognizing the power of human, therefore, praise the beauty of human body is a kind of “renaissance” for ancient Greed art. The importance of human, the power of human, the liberation of ideology were all reflected on the art works people created at that time.…
INTRODUCTION: PUTTING THE ANCIENT ART OF GREEK INTO MODERN LIMELIGHT, This paper seeks to analyse the ancient art of Greek art and consequently interpret the same for modern day scholars. STYLISTIC ANALYSIS HYDRA WATER JAR The body of this elegant vessel was made of hammered bronze, it is unsual for its thin walls to have survived the intact over a period of 2500 years.…
Canova’s seminal Theseus and the Minotaur broke the boundary between Baroque and Neoclassical, presenting a classical subject matter in a calm setting with attention to detail. Often hailed as one of the best examples of the classical style, Canova’s sculpture helped pave the way for Neoclassical sculpture as a whole. Influenced by his hometown of Venice and the public negative sentiment towards the Ottoman Empire, the choice of the Greek myth was deliberate, displaying both the social trends of the time as a classical allusion alongside a political statement on the condition of Crete. Born in Rome, the Neoclassical style would evolve as it spread throughout Europe and abroad. Benjamin Henry Latrobe was born on May 1, 1764 to descendents of…
The statue is fashioned from marble and stands 3 and a half feet tall. The statue depicts a Gaul man who is laying on his shield as blood pours from the gash in his chest. Hellenistic art is realistic in that his skin appears hard and dry, the muscles appear heavy, his face expresses pain, anguish and despair, which is a common style of the Hellenistic period. They were also very interested and intrigued by pathos and death during this style period. The sculptor depicted this Gallic man with matted hair, a mustache, and a twisted collar which were characteristics of a barbarian, greatly feared and admired, and worthy battle opponents.…
Marvin hypothesizes that much of the sculpture from Rome can actually be linked to artists who were not Greek but Roman through context as well as workmanship clues. This theory, she puts forward is supported by many facts; most of which can be traced through historical sources and the archaeological record. In the case of the “Ludovisi…
The artists’ ability to create real human emotions on the sculpture’s face makes the piece able to drag the audience into the moment in time when Hercules was battling the…
The marble statue stands tall at six feet eleven inches capturing idealistic human proportions. This sculpture is considered a cannon which is a set of rules or measures for an idea which in this case refers to the human body. The Spear Bearer shows the idealization for the human body by showing balance and proportion of man’s limbs and muscles and also smooth and soft life like texture of the hair and face. The cannon was used as an ideal system of different lengths and ratios of the human body to show what the ideal man looked like in Greek culture. Every aspect of this statue shows idealism and realism even down to the pose of the sculpture and the feet and how they are showing movement.…
In contrast, Justinian appears to be in the midst of, or perhaps just returning from, battle. This representation of Augustus is quite similar to Doryphorus, a famous sculpture by Polykleitos displaying the ideal human proportions. The artist seeks to present Augustus as ideal in features, and perfect in form. Justinian is displayed as stylized, his face and features rounded though not unrealistic.…
Ancient Greece has been heralded as one of the remarkable foundations for global culture. From advances in art and architecture, Greek culture has permeated virtually all of the western world, specifically from the Classical period on. The Kritios Boy represents the beginnings of the quintessential Classical Greek statuary, and will serve as an innovative gateway into the expansive and influential Classical Greek tradition. Through a distinct shift in the representation of the human body and its subsequent development in sculpture, the Kritios Boy emulates Greek ideals of harmony and order, and will influence the development of the Classical style.…
“The difference no longer rests on the attributes held by the statue” (Ridgway 1970). This means that physical appearance is not the only feature regarded in order to distinguish a sculpture. Due to an increase in characterization, sculptures have the potential to portray personality and narrative. For example, a sculpture of a god/goddess can be recognized by a certain grandeur or action, along with its physical attributions. Presenting sculptures in narrative have become an important characteristic in Ancient Greek art.…