She is confused by even the slightest thought of her being something other than straight and cisgender, "And if it did - not that I was saying it was a crush, just saying if-would it mean that you were gay or a lesbian[…] if you liked only one particular girl,” (Dee 136). Mattie believes that people would judge her and they will have a stubborn impression of her: “Tessa shouldn’t have joked just now about me being in love with Gemma...especially not at school, where if someone overheard and got the wrong idea, things could turn weird,” (Dee 121). As Mattie’s personality develops, she comprehends that her sexual orientation is who she is and it should not matter whether people assume she is something else. She understands the decisions that factors into her orientation is a decision she has to make for herself. This is present where Mattie struggles to her friends about her confused feelings: “Just because I’m over Elijah doesn’t mean I can’t crush on a boy,” (Dee 222).In similar fashion, the notion of acceptance is identified in Drama by Telgemeier’s protagonist,
She is confused by even the slightest thought of her being something other than straight and cisgender, "And if it did - not that I was saying it was a crush, just saying if-would it mean that you were gay or a lesbian[…] if you liked only one particular girl,” (Dee 136). Mattie believes that people would judge her and they will have a stubborn impression of her: “Tessa shouldn’t have joked just now about me being in love with Gemma...especially not at school, where if someone overheard and got the wrong idea, things could turn weird,” (Dee 121). As Mattie’s personality develops, she comprehends that her sexual orientation is who she is and it should not matter whether people assume she is something else. She understands the decisions that factors into her orientation is a decision she has to make for herself. This is present where Mattie struggles to her friends about her confused feelings: “Just because I’m over Elijah doesn’t mean I can’t crush on a boy,” (Dee 222).In similar fashion, the notion of acceptance is identified in Drama by Telgemeier’s protagonist,