As described by Clason, “It wants to eat you, and it is exceedingly infectious. Furthermore, the zombie is a counterintuitive and thus the salient idea”- it is a eanimated human corpse and a “person” without a mind (p.225). Zombies are a symbol of the incarnation of some “deep unease within history” as they do not follow society's norms of the dead. (James Berger, 2013 n.p) This essay’s intent is to argue that Zombie Films are a reflection of our post-modern civilisation and what it has become; through a dramatic cinematic view. Adapting a textual analysis of George Ramiro’s Dawn of the dead (1978), and Jonathan Levine’s Warm bodies (2013); these films use ideas of consumerism, Zombie Apocalypse, and discrimination which reflects the social anxieties which the non-infected characters within the film feel in real
As described by Clason, “It wants to eat you, and it is exceedingly infectious. Furthermore, the zombie is a counterintuitive and thus the salient idea”- it is a eanimated human corpse and a “person” without a mind (p.225). Zombies are a symbol of the incarnation of some “deep unease within history” as they do not follow society's norms of the dead. (James Berger, 2013 n.p) This essay’s intent is to argue that Zombie Films are a reflection of our post-modern civilisation and what it has become; through a dramatic cinematic view. Adapting a textual analysis of George Ramiro’s Dawn of the dead (1978), and Jonathan Levine’s Warm bodies (2013); these films use ideas of consumerism, Zombie Apocalypse, and discrimination which reflects the social anxieties which the non-infected characters within the film feel in real