Throughout the poem, there is an overwhelming sensation of death, and this is achieved through symbolic detail like by having death take on the character of a man. This “man” is portrayed as a nice guy that holds the door open for his date and offers her his coat when it get cold, but is actually an extended metaphor to examine what real death might be like. It is also fair to conclude that the death of the speaker was slow, for Death drove slowly, and relatively painless, for Death was describe as quite courteous. Another symbol used is the carriage, which represents the final passage to death, and holds "Immortality," which is another example of personification. A third symbol that is used is the house, which speaker's last stop and final resting place, also known as her grave. Dickinson enforces the idea that the speaker accepts dying and is relatively comfortable with it. Throughout the poem there is also the use of anaphora, especially in “we” and “we passed.” This repetition is used to emphasize that the speaker is indeed in the hands of death, and for the rest of eternity, whatever she does, death will too. It signifies how intertwined the speaker no is with
Throughout the poem, there is an overwhelming sensation of death, and this is achieved through symbolic detail like by having death take on the character of a man. This “man” is portrayed as a nice guy that holds the door open for his date and offers her his coat when it get cold, but is actually an extended metaphor to examine what real death might be like. It is also fair to conclude that the death of the speaker was slow, for Death drove slowly, and relatively painless, for Death was describe as quite courteous. Another symbol used is the carriage, which represents the final passage to death, and holds "Immortality," which is another example of personification. A third symbol that is used is the house, which speaker's last stop and final resting place, also known as her grave. Dickinson enforces the idea that the speaker accepts dying and is relatively comfortable with it. Throughout the poem there is also the use of anaphora, especially in “we” and “we passed.” This repetition is used to emphasize that the speaker is indeed in the hands of death, and for the rest of eternity, whatever she does, death will too. It signifies how intertwined the speaker no is with