One of the conflicts of the novel is that the present is too problematic to deal with, and Elinor resorts to the past in order for the present to be bearable. Zacharoula Christoupolou in the article “The Literature and Memory of World War I. Remarque, Aldington, and Myrivilis: Fictionalizing the Great War” reveals that “ novels become a place on which to expose conflict, but also come to terms with it” (10). One of the conflicts in this novel becomes the reality that Elinor is experiencing, which she finds a solution through by dwelling in nostalgia. In other words, the present reality is exchanged through the procedure of nostalgia into an almost alternative reality, which is a product of her dealing process and coming to terms with the conflict -- the
One of the conflicts of the novel is that the present is too problematic to deal with, and Elinor resorts to the past in order for the present to be bearable. Zacharoula Christoupolou in the article “The Literature and Memory of World War I. Remarque, Aldington, and Myrivilis: Fictionalizing the Great War” reveals that “ novels become a place on which to expose conflict, but also come to terms with it” (10). One of the conflicts in this novel becomes the reality that Elinor is experiencing, which she finds a solution through by dwelling in nostalgia. In other words, the present reality is exchanged through the procedure of nostalgia into an almost alternative reality, which is a product of her dealing process and coming to terms with the conflict -- the