Edward Scissorhands Film Style Analysis

Improved Essays
Tim Burton is Lighting style during the film known as Edward Scissorhands is mostly a Low key approach to make it feel ominous and suspenseful. In the film’s, beginning we start with a with Low Key lighting while moving rapidly up the “haunted mansion” where the Body Tim Burton is Lighting style during the film known as Edward Scissorhands is mostly a Low key approach to make it feel ominous and suspenseful. In the film’s, beginning we start with a with Low Key lighting while moving rapidly up the “haunted mansion” where the protagonist lies, Edward and the fast pace makes it feel ominous. In that part of the film the suspense creates fright because of the the pace it’s moving and the dark lighting while swapping camera angles creating …show more content…
it feel ominous. In that part of the film the suspense creates fright because of the the pace it’s moving and the dark lighting while exchanging camera angles creating spine-chilling action. That isn’t the only Lighting in the film there is also high key when Page, which is a mother figure to the protagonist adopts that role for Edward things get brighter. They do this to show things are going to are getting better for Edward and he finally has a family which is great. A good amount of the lighting is focused on the faces of the interactions the protagonist has and his hand because their scissors obviously. The beginning has a flash it mysterious and in the middle it starts to go high key but doesn't completely flash in your eyes and in the climax it goes even too lower Lighting because of a dramatic scene and in the end it a low and high key hybrid cause of the main character's action which was sad but he helped out everyone in the end so that’s how the lighting affected the

Related Documents

  • Improved Essays

    Rosemary’s baby (1968) is a horror film directed by Polish native Roman Polanski. This was Polanski’s first American film and his second horror film and it was based on Ira Levin’s bestselling novel of the same name written in 1967. This was a creepy and eerie film about a young couple Rosemary and Guy (Mia Farrow and John Cassavetes) who were newlyweds who moved into an apartment in an old apartment building in Central Park West in New York. The couple became friends with their strange neighbors who were an elderly couple that were members of a coven of witches and very intrusive. Guy, who is a struggling actor, isn’t finding much work in his career but all that is turned around when he befriends his neighbor Roman (Sidney Blackmer).…

    • 1107 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    The lighting in specific scenes is very interesting. The…

    • 1294 Words
    • 6 Pages
    Improved Essays
  • Improved Essays

    Fear is often referred to as one of the most primal emotions there is and through time fear has been used in a number of different ways for a number of different reasons. Fear can be seen in early and current literature. Fear can be observable in all living creatures and is experienced differently in each, making it an extremely subjective emotion, hence there are millions of different uses of fears, Things identified that induce fear and portals of fear around the world. Fear can be represented in media is a number of different ways. An example being horror films that provide an externalization of fears through echoic and iconic sensory stimuli, regardless of the realism of the potential threat being portrayed in the film.…

    • 738 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Tim Burton incorporates the technique of lighting in another one of his films, Edward Scissorhands, to construct the distinction in the fact that Edward will always have that strange, innocent quality about him. For instance, there is high key lighting on the perfect houses in the perfect neighborhood, compared to Edward’s mansion on the hill. Enhancing the difference between Edward and everybody else. His house is dark, black, and gloomy which reflects on his personality as well. Edward doesn’t seem to speak as much as one to two words when he was getting comfortable at Peg’s house, leaving him with the peculiar aura.…

    • 395 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    This is not something they are used to seeing especially since Marcus has a very strong headed and assertive wife. So, it is clear that throughout each movie the main characters are confronted with unfamiliar traditions within these strange new cultures they are experiencing. Overall, there are many aspects of these cultures such as traditions, power distance, and in and out groups that are new to them and that they must adjust to throughout their time within them. Lastly, I would like to compare romantic relationships within each of these films and how their communication led to either a strong relationship or the termination of their relationship and the stages they went through to get there.…

    • 1055 Words
    • 5 Pages
    Improved Essays
  • Decent Essays

    Tim Burton is a well known director that effectively uses cinematic techniques such as lighting, camera angle, and sound to create a unique and different mood and tone. Lighting in films gives people an important image that controls the way they feel about that moment of the movie. Tim Burton uses this cinematic technique in his films to control the mood. For instance in his film Edward Scissorhands he uses high key lighting when we are first seeing the neighborhood and the people to make it look bright and happy which gives the appeal that it is in a way a perfect society. This is a familiar technique that we see a lot in his movies for example he also uses high key lighting in his film Big Fish when the character Edward Bloom finds the little town for the first time and everything is so lightened and vivid which creates a new bright feeling.…

    • 557 Words
    • 3 Pages
    Decent Essays
  • Improved Essays

    Tim Burton Research Paper

    • 745 Words
    • 3 Pages

    In the movie Charlie and the Chocolate Factory Burton uses low key lighting in the scene when Willy Wonka is strolling through the forest adventuring in Oompa Loompa Land. The technique produces a suspenseful fantasy scene. This contributes to the fantasy factor and is appropriate because Willy Wonka talks about how horrible the Island is. Likewise in the movie Big Fish there is low key lightning in the scene where Edward Bloom the main character is cutting into the dangerous forest. This scene produces a chills to the audience and also adds to Edward as he walk to this dark forest and makes the scene have a creepy effect for the viewers.…

    • 745 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Many films focus on the beauty and realism of the main protagonists. ✔ In the film Edward Scissorhands, directed by Tim Burton, appearance and reality was a main idea and how this impacted on the character of Edward. The film reveals the story of Edward, an abnormally looking human ‘creation’ who has scissors for hands. The story tells the story of Edward, who is invited to join a suburban family and leave his home of an abandoned mansion. Features such as costume, lighting, and dialogue help the viewers to learn understand that we can not judge people based on their appearances.…

    • 767 Words
    • 4 Pages
    Improved Essays
  • Superior Essays

    Edward Scissor hands Burton utilizes creative and regularly claustrophobic camera points to convey the focal ideas of seclusion and self-disclosure, and in addition upgrading the fundamental subjects of societal consistency and partiality, to the crowd. Burton 's defamation of the suburbs is made promptly clear through the opening perspective shot which container from the grandma 's home and compasses over the 'treat cutter ' rural areas, finishing with another perspective from the house looking down at the town. Not just does this give the gathering of people a feeling of topography, the juxtaposition of the pastel shades of the suburbs and Edward 's dull and gothic manor serves to complement the sterility of American culture and their powerlessness to acknowledge distinction and non-similarity. This very thought is inferred all through the film through Burton 's purposeful blend of…

    • 1573 Words
    • 7 Pages
    Superior Essays
  • Improved Essays

    Burton, in Edward scissorhands, uses cinematic techniques such as lighting, camera movements, music, and editing in order to show the techniques how the moods changed as most people used him. In Edward Scissorhands, Burton used lighting when the whole neighborhood had light coloring except the mansion in the back which is where Edward lives. In addition, he also used lighting when Jim and Kim got Edward to help them break inside Jim’s father house and they just left him and when he was walking out it was dark but the lighting made his scissorhands look like knives when the police were flashing the lights on him. Another cinematic technique Burton used in the movie was camera movements. He used camera movements when he was doing some of the special things he could do with his scissorhands.…

    • 816 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    The director and set designer built a lighting scheme that adds to the drama of the play and intensifies the emotions. We often just attribute to the actors or the action. Lighting can make a scene feel happy, sad, mysterious and…

    • 710 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    ‘Dr. Strangelove’ is basically an anti-war film, showing the irrationality of nuclear war. The film frequently reveals extreme examples of international politics, gender politics, and the role of communication (or lack of) contained in each. Because this is a war film, the politics of nationalism and apparent hatred of the enemy are thoroughly addressed. The American ideal of being the triumphant underdog is historically rooted and represented by the crew of the B-52.…

    • 901 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Within the first five minuets, the audience can see how important the lighting is going to be throughout the movie. In the movie, the director focuses on lighting to portray the mood to the audience. The lighting would appear dim when times were bad, and brighter when good things were happening. For example, when Andy first arrives to the prison it is a very dim day, no sun was visible. As he gets off the bus he appears timid, Red says, “a stiff breeze could blow him over.”…

    • 1025 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    For example, in Edward Scissorhands, Peg enters the castle to see low key lighting giving the viewer a creepy and horrifying image. There were shadows and dark figures throughout the castle establishing an eerie and yet spooky surrounding. Victor, from Corpse Bride, lets go of the butterfly he was drawing the viewer follows the butterfly throughout the city, showing us the low key lighting in the alleys, giving us an apprehensious mood. In Charlie and Chocolate Factory, Charlie, Mike, Augustus, Violet, and Veruca walk up to the chocolate factory, the door and entrance was low key lit to give the viewer anxiety not knowing what’s on the other side. Unlike the low key lighting showcased in these films, the high key lighting gives a much more comforting experience.…

    • 686 Words
    • 3 Pages
    Improved Essays
  • Superior Essays

    Primal Fear Movie Analysis

    • 1435 Words
    • 6 Pages

    Dissociative Identity Disorder: A Study on Aaron Stampler in Primal Fear The movie Primal Fear explores the journey of defense attorney, Martin Vail, as he defends his client, Aaron Stampler. Aaron is charged with murdering the Archbishop of the Catholic Church in Chicago and appears to be just a young altar boy with a speech impediment.…

    • 1435 Words
    • 6 Pages
    Superior Essays