Argumentative Essay of Shadow Catcher
In the foreword to Sacred Legacy: Edward S. Curtis and the North American Indian, Pulitzer Prize winning Native American author N. Scott Momaday posits that, "in the hands of an extraordinary artist", photography can cease to be the "static record" of a moment in time and transcend to a "deeper level" of artistic understanding. Momaday makes these claims when discussing the work of renowned photographer Edward S. Curtis, who spent his lifetime perfecting the art of photography while capturing images of Native Americans. Upon examining Edward S. Curtis's photographic work and the effects of photography on American culture, one can clearly see that Momaday's claims of photography carrying not just a medial
In the foreword to Sacred Legacy: Edward S. Curtis and the North American Indian, Pulitzer Prize winning Native American author N. Scott Momaday posits that, "in the hands of an extraordinary artist", photography can cease to be the "static record" of a moment in time and transcend to a "deeper level" of artistic understanding. Momaday makes these claims when discussing the work of renowned photographer Edward S. Curtis, who spent his lifetime perfecting the art of photography while capturing images of Native Americans. Upon examining Edward S. Curtis's photographic work and the effects of photography on American culture, one can clearly see that Momaday's claims of photography carrying not just a medial