The audience is able to witness this transformation in Farrat and eventually, dressed in an eye-catching ensemble, his departure from Dungatar. Although we do not see Myrtle’s evolution into Tilly, flashbacks to her childhood show that she was plain and timid. This is a stark contrast to the current Tilly, who makes a dramatic entrance, flaunting her designer-inspired gowns at a football game and distracting all the players. Moorehouse utilises long shots to accurately show the blatant distinction between the neutral Australian desert and the bright red hue of Tilly’s dress. The townspeople are captivated by her, but are wary of her outsider status and allegations involving her past. Through this, we see that although Tilly has transformed herself, the people who knew her prior to her transformation struggle to accept the new Tilly due to their judgemental attitudes. In this sense, Tilly’s transformation and arrival in town allows Farrat to transform himself and depart
The audience is able to witness this transformation in Farrat and eventually, dressed in an eye-catching ensemble, his departure from Dungatar. Although we do not see Myrtle’s evolution into Tilly, flashbacks to her childhood show that she was plain and timid. This is a stark contrast to the current Tilly, who makes a dramatic entrance, flaunting her designer-inspired gowns at a football game and distracting all the players. Moorehouse utilises long shots to accurately show the blatant distinction between the neutral Australian desert and the bright red hue of Tilly’s dress. The townspeople are captivated by her, but are wary of her outsider status and allegations involving her past. Through this, we see that although Tilly has transformed herself, the people who knew her prior to her transformation struggle to accept the new Tilly due to their judgemental attitudes. In this sense, Tilly’s transformation and arrival in town allows Farrat to transform himself and depart