Duke Ellington (1899-1974) is known to many Americans as the leader of a swing-era dance band as well as a writer of pop tunes. Some musicians and jazz fans also know him as a major composer--arranger. In fact, there are musicologists and journalists who consider Ellington to be America's greatest composer, which puts him in a league with Charles Ives and Aaron Copland. Though many jazz fans think of Ellington as a pianist too, few scholars have examined how unique and original his approach to the keyboard really was. Dr. Matthew J. Cooper of Eastern Oregon University wrote that "Ellington surely stands as one of the great jazz pianists, and his work is worthy of greater recognition than it has been accorded in the past" .…
Second was Lucky Southern on trumpet, a surprisingly uninteresting piece, even while it was being played. Next was Here’s that Rainy Day, the first trombone piece, which had a slight tropical feel to it, a rhythm & melody that commanded attention, and was apparently the theme for an old TV show as well. Milestones featured the trumpet and trombone, the two taking turns playing an ostinato melody before getting a little more competitive and playing together. Satin Doll was fifth, featuring both instruments, although the focus was on the trombone. When Sunny Gets Blue was next, a piece that featured the guitar playing a slow and sad melody, with a laid back rhythm.…
In this journal, Corbould describes the birth of Jazz in Harlem, New York. During the 1920s to 1930s, African Americans experimented with new mediums. The journal explains that African Americans were creating different kind of sounds within churches, neighborhoods, and other environments. The sounds and behaviors created by them eventually became a part of the African American Identity. In time, these behaviors were named…
Duke Ellington is an originator of big-band jazz, Duke Ellington was an American composer, pianist and band leader who composed thousands of scores over his 50 year career. Duke Ellington was born on April 29, 1899 In Washington, D.C. At the age of 7 he started learning piano and got the nickname duke. He wrote his first composition ‘soda fountain rag’ at the age of 15. He was awarded an art Scholarship in the Pratt institute in Brooklyn, New York, Ellington followed his passion for ragtime and began to play professionally at the age of 17.…
Duke Ellington was born on April 25, 1899 in Washington, D.C. Dukes parents were James Ellington and Daisey Ellington. They were both pianists. Duke Ellington’s inspiration was probably his parents because he was playing piano as a child and focused more on music than his education.…
Billy Strayhorn was an incredibly gifted musician, as well as a talented arranger and composer, who was best known for his work while in the band Duke Ellington and His Orchestra. His love for music stemmed from his mother, a classically trained pianist, and from playing hymns on his grandmother’s piano at a young age. Strayhorn preferred to work in the shadows, content to arrange and compose music for the band as his employer wanted. Through working with Ellington, Strayhorn blossomed as an aspiring musician and composer and was able to live a discreet life as an openly as a gay man (Ethier). Through his brilliantly crafted and refreshingly original arrangements, Strayhorn was able set the standard for jazz compositions and influence future composers and arrangers through his…
The Harlem Renaissance occurred from the 1920’s to the mid 1930’s. It was a cultural, artistic, and intellectual movement that ignited a new cultural identity for the blacks. It was time for a cultural celebration. African Americans had endured centuries of slavery and were looked at as less than human. Even after slavery was abolished not much changed in that white supremacy was quickly restored to the south where most African Americans lived.…
Count Basie was a swing big band leader who began playing piano in the 1920s. He was born in New Jersey, and took stylistic influences from New York musicians such as Fats Waller (Yanow 155). He rose to prominence as a part of the Bennie Moten Orchestra, and then led his own orchestra after Moten’s death in 1935 (Yanow 155). As a bandleader, Count Basie was able to develop his own innovative style that significantly influenced the way jazz developed past the 1940s. His band was one of the top swing big bands of its era, and many of his sidemen went on to become successful musicians on their own.…
For my own virtual jazz band, I wanted to try and pick jazz musicians who could mend well with a dance or a swing band. Max Roach on drums, Charles Mingus on bass, Benny Goodman on clarinet, Lester Young on tenor sax, Cannonball Adderly on alto sax, Joe “Tricky Sam” Nanton on trombone, Dizzy Gillespie on trumpet, Ella Fitzgerald and Cab Calloway as singers, and Duke Ellington on piano and as the bandleader. The group would have the style of early 20th century dance bands and do a live performance in front of an audience, possibly with a dance floor. The style of the band, as a whole, would take after a lot of Duke Ellingtons’ early big bands.…
The Harlem Renaissance was a movement that started in New York City during World War I and continued into the 1930’s. It was an African American movement, which was also known as the “New Negro Movement”. Many African American’s were sick and tired of the way they were being treated by white Americans and used many forms of art to express and represent who they were and what was happening in their culture. The Jim Crow laws and white supremacy were becoming too much for many to handle, which is why the Harlem Renaissance had such major impact on society during this time period. The Harlem Renaissance was an explosion of artists who came together to express their feelings using poetry, music, photography, literature and more.…
For the rest of the song, the trombone player and Armstrong exchange vocal lines. Towards the end of the song, they are solely scat singing. The back-and-forth reminds me of the discussion we had in class about having impromptu conversations. The two musicians are really playing off of each other’s words. The walking bass and drums set up a consistent beat, with the piano harmonizing and clarinet almost playing as a “third-wheel” to the two vocalists.…
The percussion got me very excited in the beginning with the loud clanks from the pot drums. Also, the pitch starts off very low. A solo trumpet plays a beautiful smooth melody. The tones of the solo had some bends that made the sound wavy. The beginning is mostly free flowing.…
During this time in Harlem jazz was coming up as a big cultural music movement. The importance of jazz is that it wasn’t classical music, and that is the beauty of it. At the time what was known as “classical” music was of European traditions (Thomas 237). According to what Wilder Hobson stated in his article in The Musical Times, “jazz is not a collection of tricks, but a language.”…
Listening to the music produced by Bessie Smith called St. Louis Blues, some musical aspects come out clearly. Coming to be known as one of the fundamental jazz plays in history, it has comprised of the blues aspect in the rhythmic flow, a quality that had not been explored. The song by Bessie Smith uses the famous saxophone as the foremost redundant melodic flow that accompanies by Bessie Smith singing. There is also the vibraphone that is played in the background. The combination of these instruments bring out the jazzy flow coined with the rhythm and blues aspect making the song one of a kind.…
According to Floyd, “summertime” was the opening song written by George Gershwin for his folk opera porgy and Bess in 1935 which was an easy lullaby (218). Summertime was an aria and it is somewhat attributed to Ira Gershwin. The song became a well-liked hit and to a great extent recorded jazz standard and its lyrics written by Dubose Heyward who is the author of novel porgy. This song was been labeled as on the classics by many and to a large extent a xenophobic minstrel by others. Regardless of Gershwin’s good will, Floyd exemplifies that George’s work was contentious and was damned for its so-called orthodox representation of the black American life (219).…