Duccio’s life, influences, and experiences all affected his artistic style and the way he designed the Maesta. Duccio was born in Siena, Italy. The topic of artwork discussed did not come until later in his life. Throughout most of his life his skills were used in a variety of different venues from political leaders and parties to cultural celebrations. Duccio was also known to have trained italian painter Guido da Siena( known for painting a lot of religious pieces). Duccio was influenced heavily by politicians throughout his life this can come to shape our understanding of him as an artist.
The painting shows the Madonna(virgin Mary), Jesus, and the saints and angels worshipping them. (Snyder 123)
The people above are the hierarchy and are supporting from a better view.
The shapes and textures in the …show more content…
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The history of the painting is important because it shows how it was valued and treated over the hundreds of years since the altarpiece was created.
The painting shown as it is now is actually a second construction; the first, created for the Palazzo Pubblico in Siena, was lost. This construction was made for the Cathedral of Siena instead. (Encyclopedia Britannica)
Duccio began working on the painting in 1308. He completed it in 1311, and it was placed on the altar of the Cathedral in the same year, and would remain there for almost 200 years (Ross 116).
In 1506, it was moved within the Cathedral to a less prominent location. It was there for around 250 more years, but in the 1800s it was sawn up into several pieces. These pieces were moved between chapels. Many parts were lost, but many can be found in museums in cities such as London, New York City, and Madrid. However, most of the painting is still in Siena (Ross
The painting shows the Madonna(virgin Mary), Jesus, and the saints and angels worshipping them. (Snyder 123)
The people above are the hierarchy and are supporting from a better view.
The shapes and textures in the …show more content…
BEN DO YOUR SHIT HERE
The history of the painting is important because it shows how it was valued and treated over the hundreds of years since the altarpiece was created.
The painting shown as it is now is actually a second construction; the first, created for the Palazzo Pubblico in Siena, was lost. This construction was made for the Cathedral of Siena instead. (Encyclopedia Britannica)
Duccio began working on the painting in 1308. He completed it in 1311, and it was placed on the altar of the Cathedral in the same year, and would remain there for almost 200 years (Ross 116).
In 1506, it was moved within the Cathedral to a less prominent location. It was there for around 250 more years, but in the 1800s it was sawn up into several pieces. These pieces were moved between chapels. Many parts were lost, but many can be found in museums in cities such as London, New York City, and Madrid. However, most of the painting is still in Siena (Ross