This documentary "Dreamworlds- Desire, Sex, and Power in music Videos" tries to explain how the popular culture influences contemporary music video and how this is affecting today’s culture. “Dreamworlds” insists that these narratives and cultural attitudes have shaped these music videos into sexualizing women, and filtering the identities of both men and women into “myths” about sexuality and gender. The subject group in these music videos tended to be mostly about women and how they are misrepresented and used in popular culture. Overall I agree with the film message that these music videos are misleading and only demonstrated with one point of view in which the audience can see through. For instance, the women are sexualized and presented as mere objects of for the video and men as well.…
Monstrosity isn’t always what is perceived on the outside. Becoming one with an animal, having animalistic tendencies, or an alter ego of a beast can be considered monstrous to society. In the poem “Why do you keep putting animals in your poems”, the man depicted in the poem is learning from the animals in the poem. He also realizes that the animalistic way of life is much simpler than the life of a human. In “Now You’re An Animal” by Mark Doty the professor goes into a studio to get his picture taken and walks out with an alter ego of an animal.…
Can the drive and pressure to find love and acceptance corrupt even the purest of minds. For us humans, it can take years to find love and acceptance, but imagine being a revived, stitched together monster and fulfilling those needs. The creature portrayed in Young Frankenstein and in Mary Shelley’s novel face similar and contrasting events. To a degree, each character struggles with the acceptance by their creator, the publics scrutiny, personal experiences that shape their development and future. These contributing factors may be what makes people view the creature as a monster on the inside aside from his monstrous appearance, but is the monster an embodiment of the evil that lurks in all of us?…
Is TV Too White? Most, if not all characters featured on television programs are white. On the off chance that there are Asians, Blacks, or Latinos, they all usually have one thing in common. Asians are depicted as quiet, sexless, geniuses.…
In American society, the traditional monster is viewed in a multitude of ways, but there are some overlapping themes. Most Americans view monsters as large, scary, reptilian, and demonic. A few Americans think of vampires and werewolves when they hear the word monster though. When Americans are asked what form monsters usually take in their stories; they believe monsters take on the form of mythical beings with human qualities or creatures with multiple forms to transform into. Most Americans view monsters as destructive, single-minded, villains, or a bad guy with a sad backstory.…
As the differences, and sometimes similarities, between the two characters and actions of the creature are revealed to readers are introduced to Victor Frankenstein’s understated traits. Bringing out Frankenstein’s traits is the creation of the “monster”. First, it shows the scientific and humanistic mind of Victor…
In the article Looking at the Monster: Frankenstein and Film by James A. W. Heffernan, Heffernan talks about how the film versions of Frankenstein don’t give the text any justice. This is seen throughout tons of novels and films, where the movie doesn’t capture the overall essence of the text and in a way mutilates the image perceived to us by the novel. He goes on though, to compare Mary Shelley’s text: Frankenstein (1818) to three movies representing Frankenstein. Heffernan not only shows what these movies don’t capture, he shows the important details that the movies portray. These ideas showed in the movies are hard to pick up in the text, but are easily captured by the movies due to the visual aspect.…
The article, Monsters and the Moral Imagination, is informing the audience that monsters show a boarder aspect of the society. The article gives different point of views on monsters and gives a direct explanation on how the acts portray by monsters reminds us about reality. However, the use of monsters can improve our imagination by teaching us about survival and preparing us for disasters and global issues. Monsters can be good or bad as shown in different fictional stories. For example, these stories of Frankenstein and World War Z, display multiple warnings about our standard of living and high expectations in this current era of globalization.…
Monsters who are foul in appearance contain complex ideas and personalities then become outcast by their societies and are forced to deal with the pain of being outsiders. This is evident in both Frankenstein…
The monster of which Frankenstein creates possesses many similar actions to those of a child. He portrays actions and thoughts of impatience, questions of morality, and tantrums. Viewing the creature as if it were a child would alter the visions a reader perceives because his statements and actions would be considered unreasonable and immature. The monster elaborates to Frankenstein; the assault he committed to the man, “At that moment I heard the steps of my younger protectors. I had not a moment to lose; but, seizing the hand of the old man, I cried, 'Now is the time! - save and protect me!…
In "Seven Monster Theses", Jeffery Cohen develops an idea that “monsters” are essential to society. In fact, they construct what is “normal”, “rational”, and “civilized”. Specifically, “monsters” are foundational to how we view ourselves. “Monsters” contain all the traits deemed unacceptable and odd. It can be concluded that every outlier is a “monster”.…
People are different individuals at different stages of their lives. They grow up, learn from their mistakes, and become more aware of the people around them. According to Sigmund Freud one develops mentality in stages, these stages are classified as the Id, one’s primal desires present from birth. The Ego, one's attempt to make decisions, to reach one’s desires, based on socially acceptable ways. The Superego, conscience that censors your actions, in others words what you should do.…
Frankenstein The novel, Frankenstein by Mary Shelley was one of the best known horror novels of her time period and the foundation for the many movies that branched out of Shelley’s novel. Frankenstein was inspired by the Industrial Revolution and the Romantic Era. Frankenstein’s monster appears to be Shelley’s representation of the Industrial Revolution and the fears and anxieties that the society had regarding the rapid growth of science and technology.…
Mary Shelley and Oscar Wilde truly portray Dr.Frankenstein in Frankenstein and Lord Henry in The Picture of Dorian Gray as monsters as opposed to the monster and Dorian Gray. Not only do each of these Romantic literary writings provide themes of imagination, intuition, inspiration ,and idealism, but they also present flaws in society which are exhibited in the creators and in turn are found in each of their creations. Dr.Frankenstein and Lord Henry lack the moral responsibility for their creations and ultimately impress their faults upon their creations therefore creating monsters that emulate themselves. Dr. Frankenstein and Lord Henry can similarly be viewed as the source of the behavior for the monster and Dorian Gray. If one views Dr.Frankenstein…
For years science fiction has opened doors to our imagination for it often explores imagined scientific innovations and technology. As a result, we can witness how science fiction works of art, despite the difference in time periods, can parallel one another. The science fiction novel Frankenstein, written by Mary Shelly in 1818, exhibited a young scientist who diverts from the natural world and creates a grotesque yet conscious monster. Succeeding the novel, there was a rise of the various Frankenstein films including the 1931 version. This version differed from the novel on countless aspects yet both depicted the concept of a monster and how the world perceived him.…