The constant temptation to act on selfish, passionate thoughts is constantly at war with the desire and social expectation to act upon loving and reasonable thoughts. This time-less struggle to be an angel, not a demon, or to act in goodness, and not in evil is very evident in many aspects of one’s life. When one allows their love and emotion to be put at another’s disposal, the other can warp and twist them to turn something heavenly into something devilish. In the proper hands, it is possible for emotions to be controlled and righteous actions are an outcome of that control. These actions cause the person to gain respect, peace and love instead of regret from acting on passions.…
This line that the First Witch says, demonstrates figurative imagery through the use of a simile. The witch is explaining to her sisters how she plans to interfere with the life of a sailor and compares herself to a tailless rat. This develops the image of an ugly rat and details to readers that the witches will act as nuisances throughout the play. Similar to a rat, they will cause a great deal of trouble through tampering and interfering with the lives of others. A rat is typically considered a disgusting creature; and the fact that it is also tailless allows readers to develop an unpleasant image of the witches.…
Universal themes are explored by composers, transcending time by its reimagination across various mediums to reflect the context of contemporary audiences. The study of this enables individuals to evaluate perceptions of issues in society, particularly those targeting the vulnerability embedded in humans, thus enhancing one’s understanding of its repercussions. Shakespeare’s “Othello” and Sax’s 2001 film “Othello” effectively demonstrates changes in values and context in society through the illustration of the flaws in humanity such as prejudice and deception. The connections established between Shakespearean, Sax’s and the modern responder’s contexts can be investigated to broaden one’s understanding of the fragility of the human condition…
Iago then forces Othello to argue for the truthfulness of the lie by declaring “Nay, this was but his dream” (Act 3 Scene 3). To which Othello responds, “But this denoted a forgone conclusion” (Act 3 Scene 3). Iago’s urging Othello to remain calm and patient only fuels the rage Othello feels and that rage is what Iago needs to lead Othello to believe the rumors he is being surreptitiously fed by Iago. Ironically, Othello is so manipulated by Iago that even at the end he does not see how Iago’s words throughout the play have affect him and the outcome of the show, when he tells Iago “It is not words that shakes me thus” (Act 4 Scene 1). Iago’s talented tongue is the undoing of all the characters in the play.…
Iago uses different rhetorical strategies to trick Othello into thinking…
In Shakespeare’s tragedy Othello, the title character is a 16th century Moorish general of the Venetian army who, because of the cultural and historical background of the play’s setting, the playwright, and the original intended audience, is portrayed as both well-respected for his stereotypical military prowess and disparaged for his race. Similarly, because of Othello ability to fulfill the desires of the Venetian people they loved and adored him. It was not until they gained perspective into who Othello was, a Moorish man, that they hated the color of his skin but loved the content of his character. African American men in today’s American society are both praised for (physical superiority) and hated for the thuggish image that many people…
His tone is rather rash and very demeaning, especially towards his own wife, whom everybody seems to believe is innocent except him and Iago. He calls her a “strumpet” (4.2.81) and a “whore” (4.2.72). She claims ignorance and innocence, but he refuses to believe her. Even when Emilia defends her, Othello is unable to hear any voice of reason. Again, this demonstrates the inferior treatment of the women in the play.…
Unparalleled in his ability to prey upon the insecurities of those he wishes to ruin, Iago is one of Shakespeare’s most destructive villains. He plants the seeds to destructive plots that are aimed to exploit the fundamental nature of other characters. With his use of garden metaphors throughout the play, Iago exhibits his effectiveness as a villain in being able to nurture and manipulate the tangled roots of human nature Throughout the play, Iago views the other characters through the lens that they are all wild plants, and that he, as a gardener, will bring under his control. Early in the play, while starting his plans to bring about Othello’s downfall, Iago tells Roderigo that, “Our bodies are our gardens, to which the wills are gardeners”…
An unknown author once said, “Some people create their own storms, then get upset when it rains.” Irony can be seen in three different ways, which include dramatic, verbal, and situational irony. Verbal irony is when the opposite of what is meant, is said. Dramatic irony is when the audience or some characters know something that others don’t. Situational irony is when when the opposite of what you expect to happen, happens.…
Iago manipulates Othello by using his biggest weakness--insecurity. Though Iago is a vile man, he is referred to as “honest Iago” throughout the play. Iago’s cunning ways allow him to carry out his plans using characters without their awareness of what he ultimately desires. It all starts in the streets, where Iago wants Roderigo to rile up Othello’s…
A Tragedy is a Result of one 's Insecurities A cowardly man will always find spineless reasons behind his actions that may result in a series of disastrous events. In the novel Othello by William Shakespeare, Iago demonstrates the character of an insecure man who encounters insecurities that come in the forms of jealousy, personal/sexuality, and identity. These insecurities have a key role in the development of the play and the creation of Othello’s tragedy.…
Annotated Bibliography Bloom, Harold. " Othello." New Haven, US: Yale University Press (2005): 259. ProQuest ebrary. Web.…
Iago whispers thoughts in Othello 's ear to cause him to believe his wife Desdemona has committed adultery with Michael Cassio, his lieutenant “Sweet Desdemona, Let us be wary, let us hide our loves” (Act 3, Scene 3). All the while Iago pompously talks to the audience about revealing his master plan of how we will set things right by using his clever tenacity: “And what’s he then…
(1.3.324-327). Iago is not quite sure if the rumour is true, however jealousy has such a strong grip on him that the mere idea is enough to enrage him. Later Iago tells Othello, “That cuckold lives in bliss/ Who, certain of his fate, loves not his wronger,” (3.3.172-173). Here Shakespeare uses irony, as Iago is informing Othello that a man who hates the man whom his wife is cheating on him with lives in happiness—though Iago is attempting to cultivate his plan here, he is describing his own personal situation to Othello.…
( ). Othello means that the only way he would suspect Desdemona is if he had solid proof, yet somehow Iago still managed to make Othello jealous and suspicious. Iago is the biggest example of bad deception in the entire play. He deceives others solely to ruin their happiness. Not only that, but he also never clearly reveals his motives behind his plans.…