Here, after all, we have a complete change in the way David is represent. Not only is that he is naked, but he is also a youth man. In the Middle Ages, being naked was not used in art work, but in respectful moral forms. Here, Donatello look to be calling to mind the kind of heroic nudity of antiquity, since David is represented at triumphal point in the biblical narrative of his winning over Goliath. As for David’s youthfulness, Donatello went back to the past life of the biblical David to characterize him, rather than to his later life as the king. It looks that Donatello is trying to connect David’s youth with an innocent and virtuous life. David looks young here so young, as a matter, that his muscles have barely grow enough to hold the big sword that shows his victory over his enemy. In any case, Donatello’s David is a classic work of early Renaissance sculpture. It was revolutionary the idea of the life sized nude sculpture took some time to sink in and become an acceptable statue
Here, after all, we have a complete change in the way David is represent. Not only is that he is naked, but he is also a youth man. In the Middle Ages, being naked was not used in art work, but in respectful moral forms. Here, Donatello look to be calling to mind the kind of heroic nudity of antiquity, since David is represented at triumphal point in the biblical narrative of his winning over Goliath. As for David’s youthfulness, Donatello went back to the past life of the biblical David to characterize him, rather than to his later life as the king. It looks that Donatello is trying to connect David’s youth with an innocent and virtuous life. David looks young here so young, as a matter, that his muscles have barely grow enough to hold the big sword that shows his victory over his enemy. In any case, Donatello’s David is a classic work of early Renaissance sculpture. It was revolutionary the idea of the life sized nude sculpture took some time to sink in and become an acceptable statue