In Roman male statues, a part of the figure’s toga is bunched over the left shoulder, consequently aways the left shoulder, as a symbol of social position and power. As a parallel, the sling over Michelangelo’s David is on his left side and can be seen as a connection to Roman antiquity. A source of Michelangelo’s recognition for such a connection is impossible but the connection such a motif is bought about is not a theory that is shut down. References to both ancient gods and to the deeds of the hero, whether military, athletic, or political is a technique used often in art. David is the hero to be equated with the demigods of myth. The David symbolizes civic pride and the dignity of freedom of all humanity. Its derivation from antiquity highlight the its rock-like strength and his
In Roman male statues, a part of the figure’s toga is bunched over the left shoulder, consequently aways the left shoulder, as a symbol of social position and power. As a parallel, the sling over Michelangelo’s David is on his left side and can be seen as a connection to Roman antiquity. A source of Michelangelo’s recognition for such a connection is impossible but the connection such a motif is bought about is not a theory that is shut down. References to both ancient gods and to the deeds of the hero, whether military, athletic, or political is a technique used often in art. David is the hero to be equated with the demigods of myth. The David symbolizes civic pride and the dignity of freedom of all humanity. Its derivation from antiquity highlight the its rock-like strength and his