At that point, the reader is unaware that the topic is in fact a social media site. It is not until line 19 that I actually mention Twitter directly. By presenting the idea of obsession early on in the poem, the reader is able to understand that the speaker is in love—or infatuated at least. The plot twist is that it is not a “distant lover,” contrarily, Twitter. Describing the application as a “liberating prison” forces the audience to think about the power that Twitter actually holds over their lives. Sometimes, addiction is not always easy to identify until someone brings the symptoms to life. To do this, I mentioned specific instances when people ignore those around them for Twitter. Once the audience realizes that this is relatable, hopefully they will get the idea that it is time to take a break. Another strategic aspect of the poem is that in the beginning I decided to have a first person point of view, speaking as if I was the one infatuated. Towards the middle, I changed the pronoun from “I” to “you” to shift the attention on the audience rather than the speaker of the poem. By the very last stanza, I replicated the structure of the first stanza to bring the poem into a complete concluding circle. Hopefully by the end of “The Breakup,” the audience will both be entertained as well as aware that Twitter can be an addicting
At that point, the reader is unaware that the topic is in fact a social media site. It is not until line 19 that I actually mention Twitter directly. By presenting the idea of obsession early on in the poem, the reader is able to understand that the speaker is in love—or infatuated at least. The plot twist is that it is not a “distant lover,” contrarily, Twitter. Describing the application as a “liberating prison” forces the audience to think about the power that Twitter actually holds over their lives. Sometimes, addiction is not always easy to identify until someone brings the symptoms to life. To do this, I mentioned specific instances when people ignore those around them for Twitter. Once the audience realizes that this is relatable, hopefully they will get the idea that it is time to take a break. Another strategic aspect of the poem is that in the beginning I decided to have a first person point of view, speaking as if I was the one infatuated. Towards the middle, I changed the pronoun from “I” to “you” to shift the attention on the audience rather than the speaker of the poem. By the very last stanza, I replicated the structure of the first stanza to bring the poem into a complete concluding circle. Hopefully by the end of “The Breakup,” the audience will both be entertained as well as aware that Twitter can be an addicting