Django Unchained Film Analysis

Critics argue that the standard five stereotypes of African-Americans found in early cinema can still be found in contemporary Hollywood films. Four out of five stereotypes of African-Americans in early cinema can be found in the film Django Unchained a violent spaghetti western which is Quentin Tarantino directs, and writes. This film even goes far enough to having an African American bounty hunter and German bounty hunter pairing up to fight against white establishment in the south before the Civil War. Django Unchained is an outstanding representation of a modern film implementing early African American stereotypes.
Django the films main protagonist suits the qualities of the early cinema’s Black Buck stereotype. A Black Buck is a hyper sexual and hyper masculine African America man. This man portrays a brutal, animalistic, and African American man who threatens white establishment. Dr. King Schultz frees Django from slavery to identify, and kill the Brittle brothers, which are responsible for whipping of Django wife Broomhilda. This Enrages Django, and he kills the three …show more content…
King Schultz kill the local sheriff. Thus causing the town to be on shock. Just before this local townsmen see Django riding in on a horse, this shocks townsmen seeing an African American man riding a horse. Which during the eighteen hundreds completely goes against white social standards, because at the time most African American men where slaves, or could not effort a horse. This against reinstates that Django is a representation of a Black Buck. Django is a Black Buck because of his brutal nature, and fights against white establishment. Django by the end of film hates Mr.Candie the man that owns his wife so much that he kills Mr.Candie sister, and in the end destroys Candieland one of the largest plantation in the south by blowing it up with dynamite, Django is not just going against white establishment but destroying