Directed by Quintin Tarentino, the controversial film Django Unchained is set in the south during the heat of slavery which was a gruesome and unmoral time for American History. A German bounty hunter named Dr. King Schultz travels the land to find a particular slave named Django who can help him kill a set of bandits, known as the Brittle brothers. They set out and joined forces in a journey that will always be remembered in cinema history. For its vivid imagery of the horrors of slave treatment, candid dialogue of how the white man belittled African Americans, and its dehumanizing sense of humor toward the slaves that lets you enjoy the film in a comical aspect. While, Downplaying the terrible violence and obscenities to leave the viewer
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With various feature artists, the soundtrack allowed the emotions displayed by the actors to be amplified and did a great job further connecting the audience with the scenes of the movie and the cast. I specifically remember the scene where Django was riding into candy land pretending to be a man-dingo expert/ bigoted slave. The camera had backed out and it showed him riding on a horse with a hard-ironed face while many beat slaves chained together stumbled upon the dirt road looking up in disgust. During this scene a song played echoed in my head throughout the rest of the movie. “I need a 100 black coffins, for a 100 bad men…” (Rick Ross, Black coffin). This song had made me feel as if I was in Django’s shoes at that particular scene, above the rest of the poor slaves. Immune to showing sorrow for their terrible condition as if they were just how the white man saw them in the film, property. What makes this feature in the movie so effective is what I had touched on earlier, the way it connects the audience with the movie and engages the view emotionally to feel a specific way the director wants. Because in the movie if there was a sad scene the soundtrack did a great job of amplifying that desired emotion and allowing the audience to have a better
With various feature artists, the soundtrack allowed the emotions displayed by the actors to be amplified and did a great job further connecting the audience with the scenes of the movie and the cast. I specifically remember the scene where Django was riding into candy land pretending to be a man-dingo expert/ bigoted slave. The camera had backed out and it showed him riding on a horse with a hard-ironed face while many beat slaves chained together stumbled upon the dirt road looking up in disgust. During this scene a song played echoed in my head throughout the rest of the movie. “I need a 100 black coffins, for a 100 bad men…” (Rick Ross, Black coffin). This song had made me feel as if I was in Django’s shoes at that particular scene, above the rest of the poor slaves. Immune to showing sorrow for their terrible condition as if they were just how the white man saw them in the film, property. What makes this feature in the movie so effective is what I had touched on earlier, the way it connects the audience with the movie and engages the view emotionally to feel a specific way the director wants. Because in the movie if there was a sad scene the soundtrack did a great job of amplifying that desired emotion and allowing the audience to have a better