Vogler’s examination of Emily Bronte’s Wuthering Heights challenges readers and critics to “look at the novel with new eyes, and with as few preconceptions as possible” (79). There are many interpretations and criticisms of the structure and subject of Wuthering Heights, but Vogler brings attention to the possibility of personal projections being placed in the text by the reader and limiting perception. Vogler primarily examines the narrations of two characters, Lockwood and Nelly Dean, considering the distortion of the actual chronology of events by their own experiences as they tell it. Making a point that if the events as they happen are distorted, so can the meaning, truth, or intention of the text. Vogler includes evidence (quotes) from
