Despite these observations, it’s not an extraordinary movie, showing several problems that turn it into an unfortunate stumble in the filmography of the Quebecois Jean-Marc Valleé.
The latter, who deserves all my respect for accomplished works such as “C.R.A.Z.Y”, “Café de Fleur”, “Dallas Buyers Club”, and “Wild”, was unable to assure a compelling chemistry among the characters and eluded us by making us believe that this tearless tale of loss and grief could offer us something more interesting than weird conversation, whimsical behavior,