This heteronormativity, where men held a social role hierarchically superior to women, was vastly morally accepted. More recent writings on the Gothic suggest that it functions as a genre of social realism, that it “maps a plot of domestic victimization.” (Heller 2) Indeed, novels written during the Victorian era typically presented women as existing only within the private sphere, whereas men existed in the public sphere. When women become more public, their submission to the institution of marriage and heteronormative behavior becomes threatened. Marriage, an element that promotes and protects the ideal feminine virtues, is made especially precarious before the emergence of the New Woman — a term coined by writer Sarah Grand to demarcate women who undermined traditional representations of
This heteronormativity, where men held a social role hierarchically superior to women, was vastly morally accepted. More recent writings on the Gothic suggest that it functions as a genre of social realism, that it “maps a plot of domestic victimization.” (Heller 2) Indeed, novels written during the Victorian era typically presented women as existing only within the private sphere, whereas men existed in the public sphere. When women become more public, their submission to the institution of marriage and heteronormative behavior becomes threatened. Marriage, an element that promotes and protects the ideal feminine virtues, is made especially precarious before the emergence of the New Woman — a term coined by writer Sarah Grand to demarcate women who undermined traditional representations of