When Dee finally arrives at the house, along with her companion Hakim-a-barber, she calls herself Wangero reflecting her African heritage. When the mother asked why she does not like the name Dee, Wangero replies by saying that Dee was the name of slave owners in the past. The mother counters this by saying that Dee was the name of her aunt, grandmother, and could even trace it back before the Civil War. This shows that Dee was a family name, not one ordered by a slave owner. Then with the argument over the family heirlooms being brought up, Dee tells her mother…
As drama begins to build, Ms. Johnson also continues this amusement of the situation by refereeing to Dee’s new name. Dee has announced she has chosen a more African name, Wangero, and Ms. Johnson shows the reader her amusement by the way her daughter’s name is presented in the story; Dee (Wangero). Humor continues like this throughout the…
Dee changed her name to Wangero but told her mother she does not have to call her by her new name. The mother responded by saying “Why Shouldn’t I? If that’s what you want us to call you, we’ll call you.” That line shows how accepting and considerate the mother is of Dee’s new lifestyle.…
In the story, she remains dedicated to her family heritage and stay connected with her mother. Unlike the brother to the prodigal, however, she acts more wisely and humbly by accepting her sister back home after she leaves. By remaining connected with her family history, she retains her identity, knows who she is, and does not need to have a piece of her history with her because she is part of it. In the same way, Christians can try to find their identity in the “glamor of the world” outside of Christ. However, like Dee, they will feel lost trying to find who they are outside of Christ’s family.…
Wangero says, ““I couldn’t bear it any longer, being named after the people who oppress me.” (Walker 2718). She hopes that by striping herself of the name Dee she can distance herself from the persecution her ancestors felt along with gaining her African heritage. Wangero does gain wisdom while away at…
However, there may be a deeper root to this problem; the switch from Dee to Wangero is fairly drastic and sudden, and must have had another reason. A theory that is common today with many kids who grow up to be nothing like their parents is that once they have control of their life, they make every effort to not be like their parents; they even go to extremes. This may be because of their desire to be their own person, or maybe because of another influence in their early life. ‘Wangero’ claims to have switched her name because she “couldn’t bear it any longer, being named after the people who oppressed [her].” (Walker 4)…
“No, Mama…not ‘Dee. ‘Wangero Leeewanika Kemanjo!” Dee is very boastful for her new name and is telling her mother she is no longer Dee and Dee is “dead.” By making these inspired changes, Dee has disrespected her mother and her true heritage. Dee was “named after…aunt Dicie”, Mrs. Johnson sister, who was called “Big Dee.” The name Dee has been passed about three generations and she “couldn’t bear it any longer, being named after the people who oppress” her.…
When Dee first arrived; Dee appears stylish and wealthy, unlike her sister and mother. She is embracing a different cultural heritage than the rest of her family, one that is associated with her imagined ancestry more than her actual background. As Maggie and her mother attempt to overlook the betrayal from Dee they continue to embrace her presence until she announces her new name. “What happened to Dee’?” I wanted to know.…
Maggie had physical and emotional scars from what she had experienced and seen. Her sister, Dee, on the other hand is the polar opposite of Maggie. Dee had lived with her mom her whole life. But once Dee grew up, she completely left her principles behind. When Dee had come back to visit Maggie and Ma, she had changed her name to Wangero Leewanika Kemanjo and also her style of dressing.…
From the beginning Dee's mother is painfully aware of the different attributes between her daughters, and in some respect finds it easy to love Maggie because Maggie is vulnerable and most like her, but struggles to love and find common ground with Dee because Dee is brave, beautiful, and smart, so unlike her in many respects. Contrastingly, Dee is aware that she is different from her mother and sister, and she feels that they don't understand or appreciate her. Also in reference to Dee's name change, Dee's mother viewed the act as a rejection of her and all of the family matriarchal namesakes that bestowed the name as a sense of family pride to future generations; whereas, Dee, viewed the name change as liberating and as a way of reclaiming her true cultural identity. Lastly, the quilt was viewed by the mother as just an everyday quilt that she promised to her daughter, Maggie; especially after Dee scoffed at the old quilts when initially offered to her by her mother. However, to Dee, the quilt served as a symbolic representation of the family heritage.…
after seeing Dee have an aura of eagerness as she was watching the home burn. (Walker, pp. 489). Dee also changes her name, so she would not be reminded of those who oppressed her: “’She’s dead. I could not bear it any longer being named after the people who oppress me’” (Walker, pp. 491).…
The short story “Everyday Use” by Alice Walker uses Mama’s preference for Dee, the sisters’ emotional limitations, and Mama’s final decision in Maggie’s favor to suggest that parental favoritism is often a root of family conflict. Even though Mama may love both her daughters, due to Dee and Maggie’s differing personalities and needs, throughout the daughter’s lives they are treated differently by Mama. The story shows her favoritism is not done out of malice, and in the end, she will try and rectify the situation. This short story shows the conflict which occurs between the sisters due to the years of the favoritism Mama showed toward Dee and the lasting effects of it.…
She moved out of her house because she did not like her family that much. Dee prefers to have a more luxurious life. One day, Dee suddenly came back to her family 's house. She brought a guy called Hakim-a-barber and she changed her own name to be Wangero because she does not like her former name - Dee - as Dee comes from a dead lady. Dee (Wangero) came back to her family 's house just to get more furniture for her new house.…
The main conflict of the story "Everyday Use" is that Dee wants the quilt to flaunt it with her friends, still her mother wants to give the quilt to Maggie her sister, simply, because she believes Maggie will make use of it every day, not just flaunting their legacy every day. The mother at last has had enough of Dee’s conceit/vanity and being self-centered. She informs Dee that she can’t have the quits on account of, they belong to Maggie. Sadden about the news, Dee goes on to say that Maggie will overuse the quilts by using them every day, and ruin them. Her sister in an effort rationalize about the situation offers Dee other quilts that her mother has made, but Dee pays her no attention.…
On the other hand, if the point of view was switched to Dee, the way the reader views her, has a possibility of changing. Throughout the story, the speaker, which is Mama, is recalling when Dee came to visit. When the point of view of the story changes and is then told…